From the waves to the redwoods, it's all happening here.

Take a free, guided tour of the 30-acre organic UCSC Farm. Visitors can enjoy touring the organically managed greenhouses, hand-worked garden beds, orchards, row crop fields, and children’s garden, while learning about the history of the site and the basic concepts of organic farming and gardening. Perched on a meadow near the campus entrance, the farm also offers spectacular views of the Monterey Bay. Heavy rain cancels. Tours will take place from 10 a.m. to 11:30 a.m. on the following dates (please RSVP for the tour of your choice): Saturday, July 11 Saturday, August 1 Saturday, September 12 Saturday, October 3

First Saturday Tours are a wonderful way to introduce yourself to the Arboretum or to deepen your knowledge of the Arboretum’s plant collections. Each tour is a little different depending on the time of year, the interests of the tour guide, and the people who join in. For example, you might learn about the birds and mammals that make this land their home or about the amazing physical adaptations that plants have evolved to better deal with our extreme weather and climate conditions. Tours are free with paid admission.

Visit the IAS, UCSC’s premier art galleries, for our spring exhibitions. On view April 10–August 16, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right , the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj , a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words, But Melodies , a mixed-media exhibition emerging at the intersections of Black poetics, performance, and visual art. The IAS Galleries are open Wednesday-Sunday, 12 pm – 5 pm. Admission is free to the public. Libia Posada: Everything is Going Right Libia Posada’s first solo exhibition in the United States features installations, sculptures, and drawings meticulously constructed from surgical instruments, gauze bandages, crutches, used books, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal, social, and political disorders and afflictions that currently trouble the world, from the wars that resonate across the globe to the violences of aging in US prisons. Gina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements The internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation, produced in community from things collected, found, purchased and donated, centers on the Haitian concept of rasanblaj, a form of assembly and collage that transcends the formal use of materials to draw together people, spirits, and ideas. Ronaldo V. Wilson: There Are No Words, But Melodies Collage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video, painting, and installation, layers and folds conceal and reveal, delving into the experience, both bodily and emotive, of living in time