Live music, festivals, art walks, surf contests, trail days and everything in between.
In-person only, on purpose. Everything here is something you can actually show up to. No screens, no streams.
First Friday: Costume Party Edition π» Friday, October 2 Β· 7β10 PM Β· 21+ Treehouse is hosting our first-ever cannabis consumption event, and we're kicking it off with a costume party. Come as you are, or come as someone (or something) else entirely. Spooky season starts here. Live music by Junebug (8β9:30 PM) Folk-fusion fingerstyle guitar from a one-woman band. Junebug also tap dances and plays harmonica, autoharp, kazoo, trumpet, ukulele, and banjo, so expect the unexpected. Artists & Makers Market (7β10 PM) Browse and shop work from local artists and makers: Art by Dejon, Cyanide Cyn, Mori Mysterium, Mountain Medusa, Stitch and Story, Penning Beads, WilderWilds, Corals Tiny World, Hermelinda, and Potato Studios. Stash Jar Making (7β10 PM) Puff, puff, craft. Stop by our free DIY station and decorate a one-of-a-kind stash jar to keep your favorite flower fresh and stylish. All supplies provided. Just bring your creativity. Cannabis Elixirs πΉ Sip, sip, hooray. Enjoy refreshing cannabis elixirs while you get crafty and catch the show. Free to attend. Costumes strongly encouraged. Must be 21+ with valid ID. Treehouse Dispensary Β· 3651 Soquel Drive, Santa Cruz We're proud to offer everyday savings for our community: New Members: 10% off your first order Wisdom Discount (65+): 5% off Medical Patients: 10% off Students & Teachers: 20% off with valid ID Veterans: 20% off *Please note that discounts do not stack with other deals. Ask staff for exclusions.
Coming up
Fiddling Cricket & Canyon Acoustic Society Concert Series 2025 HoneyBee Deby Benton Grosjean and Pamela Benton Playing together all of thier lives Sat, 9/27, 7.00pm (6.30pm Doors); $25 adv / $30 dr reservations at [email protected] or 408 499 9441 (text or voice) HoneyBee is a Duo of Twin Musicians, Deby Benton Grosjean, and Pamela Benton. Classically trained on violin and piano, both are singer / songwriters, twin fiddlers plus, Pamela adds guitar to their performances. Individually, they each have recorded CD's of their own available on "CD Baby", and other internet music sites / stores. Deby and Pamela have played a lifetime of musical experiences exploring many music genres. In their Duo HoneyBee, they fuse these genres to create an original sound. Since childhood, music has been central in their lives and enjoyed singing and playing several instruments together. For three consecutive years as youths, Deby and Pamela received top awards in MTAC ensemble competitions, both first place, and command performance. Also as youths they sang in choir and performed in the California Youth Symphony and San Jose Light Opera. ο»Ώ Money collected at the door. Beer, wine, coffee, etc available, plus the regular Ugly Mug food ο»Ώ AT THE UGLY MUG CAFE 4640 Soquel Dr, Soquel, CA 95073 Contact Fiddling Cricket at 408 499 9441 or for reservations or more information. Reservations still pay at the door, by cash or check. Food and Drink: Beer, wine, coffee, tea and soft drinks available. Usual coffee shop food. (if you wish, bring your own wine and pay corkage)
Coming up
Ode to the Dying Senses is an immersive dance-theater experience combining live singers and SCDT's Project Company dancers. The evening begins as you enter and explore a space immersed in total darkness. What follows invites you to reconnect with your senses in a show like nothing you've ever seen. With only 15 tickets per show, this is an exclusive event you won't want to miss.
Coming up
Spafford at Felton Music Hall on Sunday, September 27th 2026 Tickets: https://tixr.com/e/190917
Coming up
Formed in San Jose in 1990, Sleep just might be the best American doom metal band of all time. After all, this three-piece wrote one of the most epic songs ever, the 63-minute marijuana-fueled opus, βDopesmoker.β Even more epic is the legend behind the song, with the band using all the money the label gave them for an album on weed and returning with one long song. However, the band has recently run into some controversy as the bassist, Al Cisneros, is currently the only original member. But fear not weedians, because Uncle Al is still headed to the smoke-filled lands with Dale Crover (Melvins) on drums and Bubba Dupree (Void) on guitar. -Mat Weir; Good Times Santa Cruz
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Showing 180 of 252 upcoming events Β· Cultural Event
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Afro-Brazilian dance class focusing on rhythm and movement.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
An interdisciplinary department that centers the interconnected experiences and perspectives of Latin American and Latinx communities. This program provides rigorous training in disciplinary and interdisciplinary theory and research methods to investigate transnational processes that link the Americas. We especially invite applications from students interested in: Transnationalisms, Migration, and Displacement Intersectionality, Identities, and Inequalities Culture, Power, and Knowledge Collective Action, Social Movements, and Social Change Session 1: Tuesday, September 29, noon-1pm Learn about our interdisciplinary and hemispheric approach and major research areas Hear from faculty and graduate students about their scholarship Ask questions about the program and UC Santa Cruz Session 2: Tuesday, November 17, noon-1pm Learn about the Ph.D. program curriculum and structure Hear from the Graduate Director and Graduate Program Coordinator Ask questions about the application process RSVP to one or both sessions using our Google Form >>
Weekly kids' classes in traditional hula and Tahitian dance, led by Te Hau Nui School at The 418 Project in Santa Cruz.
A weekly hula and Tahitian dance class with the Te Hau Nui school, exploring Polynesian movement and tradition.
Advanced hula and Tahitian dance class for experienced dancers. Part of Te Hau Nui School's curriculum.
Come help us celebrate TΓ©adaβs 25th Anniversary of touring as one of Ireland's leading traditional bands! The five members of the band are fiddle player OisΓn Mac Diarmada, button accordion player Paul Finn, Damien Stenson performs on flute, Samantha Harvey, piano/dance, SeΓ‘n Mc Elwain who switches between the bouzouki and guitar and bodhrΓ‘n player Tristan Rosenstock. You will undoubtedly recognize fiddler OisΓn Mac Diarmada, if you have attended an Irish Christmas In America concert. A leading exponent of Irish traditional music, TΓ©ada is driven by a fascination for the timeless, expressive force of music inherited from previous generations of musicians. An Irish band with a truly worldwide reach, TΓ©ada has frequently appeared as headliners at major music festivals throughout the US, Canada, Mexico, Europe, Africa, Russia, Israel and Australia. Highlights include a 30,000-capacity stadium concert in Brittany, along with performances at Penang World Music Festival in Malaysia, Edmonton Folk Festival in Canada, Harare International Festival of the Arts in Zimbabwe, and the Milwaukee Irish Festival. The group also received an invitation from the Irish Embassy in Rome during 2008 to perform at a commemorative event marking the 400th anniversary of the landmark event in Irish history known as The Flight of the Earls. With engaging textural arrangements, TΓ©ada, which means "strings", will have you dancing in your seat. Tickets: celticsociety.org members: $27 non-members: $31.25 student/child: $15.25
Presented by Celtic Society of the Monterey Bay
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A regular tango class in Downtown Santa Cruz, offering a way to learn Latin dance in a social, cultural setting.
Cyrille AimΓ©e (SurΒreal MΒA) is a FrenchΒDominican vocalist and actress. Winner of the Montreux Jazz Festival's Vocal Competition, the Sarah Vaughn International Jazz Vocal Competition and finalist in the Thelonious Monk Vocal Competition, AimΓ©e isβin the words of Will Friedwald of The Wall Street Journalβ"one of the most promising jazz singers of her generation." In the same Wall Street Journal feature (which included vocalist Cecile McLorin Salvant), Friedwald declared both to be βastonishing creative singers, with a brilliant sound, fresh ideas, impeccable rhythm and an overall approach that honors tradition without being shackled to the past." AimΓ©e was born in Fontainebleau, France, to a French father and Dominican mother. Her introduction to jazz was the result of the fortuitous location of her upbringing, the village SamoisΒsurΒSeineβthe same place where legendary gypsy guitarist Django Reinhardt had lived. Every June for decades, gypsies have descended upon Samois, setting up caravans in nearby meadows for the annual Django Reinhardt Festival. During those June nights many years ago, after her parents would fall asleep, a young, curious AimΓ©e would climb out her bedroom window and wander into the gypsy encampments. AimΓ©e would sing by the fire with Djangoβs descendents and began to fall in love with the gypsy way of lifeβscampering home before the sun rose. Explained AimΓ©e, "I was hypnotized by gypsy music which made me want to tap my feetΝΎ music that swings makes me so happy." As a teenager, AimΓ©e performed in various Parisian cafΓ©s and clubs. When her family moved to Singapore, she remained in Paris to attend the American School of Modern Music. She also auditioned for "Star Academy," a kind of French "American Idol." Selected to be one of 16 semiΒfinalists, AimΓ©e had second thoughts when handed a contract that tied her up every which way for yearsβincluding the songs to sing. This was too much for her gypsy spiritβso she quit. The French media so pursued
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Congo dance class in Santa Cruz. Participants learn traditional African dance movements in a group setting at The 418 Project.
Straight out of Yemen comes El Khat, a self-proclaimed homemade junkyard band. The humor and ingenuity are that most of the instruments are recycled plastic, metal, and wood. This dynamic three-piece creates a cinematic mindscape that feels like youβre drifting over the sands of the Arabian Desert. But this isnβt spa music; itβs like Frank Zappa and a β70s progressive rock band melded with an ancient rhythm. Multi-instrumentalist Eyal El Wahab leads the charge with a message of humanity over nation. El Khat is named after the chewed speedy drug khat and the music has a kick to it. -DNA; Good Times Santa Cruz
Santa Cruz Theatrical Premiere β New Documentary! THEATRE OF HORRORS: THE SORDID STORY OF PARISβ GRAND GUIGNOL (2025, Severin Films, 89 min. Dir. David Gregory.) In 1897, in a back alley in the seedy Pigalle district of Paris, a former chapel turned small performance space became a theatrical institution forged in naturalism, controversy and grisly spectacle. Over the next 65 years, it would actively provoke revulsion, celebration and begrudging global esteem. More than a half century after its final performance, the Grand Guignol remains one of the most wildly misunderstood and profoundly influential traditions in entertainment history. From horror films to tabloid journalism, avant-garde theater to the true-crime genre, Franceβs βTheater of Deathβ is still slicing, gouging, and spurting its pervasive way through culture both high and low. Or as the BBC recently declared, βEven if there were no ghosts onstage, this unusual little Parisian theater continues to haunt us today.β In the new documentary by award-winning producer/director/editor David Gregory β whose previous explorations of transgressive entertainment include LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEYβS ISLAND OF DR. MOREAU, BLOOD & FLESH: THE REEL LIFE & GHASTLY DEATH OF AL ADAMSON, ENTER THE CLONES OF BRUCE and SUZZANNA: THE QUEEN OF BLACK MAGIC β and narrated by international genre icon Barbara Steele β legendary star of BLACK SUNDAY, THE PIT & THE PENDULUM, THE GHOST and more β discover the history, mystery, and ongoing socio-cultural impact of what may be Franceβs most infamous export. βIβve been fascinated by The Grand Guignol since childhood,β says Gregory. βBut despite brief mentions in horror history books and deep scholarly studies, my search for a cinematic exploration of the subject had consistently proved unrewarding. Even my interactions with French genre filmmakers revealed their own superficial knowledge of the Theaterβs significance. Itβs all led me to dig deeper and discover the
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Join the Santa Cruz Museum for a free public Zine-Making activity, with access to our ongoing exhibitions! Presented in connection with a pop-up project on Oaxacan Languages of the Transnational Central Coast with the UC Santa Cruz Humanities Institute , this interactive activity will invite museum visitors to share personal stories or reflections on language, identity, and belonging. *More information on the Oaxacan Languages Pop-Up will be available soon
First Friday at The 418 Project in Santa Cruz, featuring artist-led offerings and community connection. Focus on supporting BIPOC, women, and artists.
Take a free, guided tour of the 30-acre organic UCSC Farm. Visitors tour organically managed greenhouses, hand-worked garden beds, orchards, row crop fields, and the childrenβs garden while learning about the history of the site and the basic concepts of organic farming and gardening. Perched on a meadow near the campus entrance, the farm also offers spectacular views of the Monterey Bay. Heavy rain cancels. Free and open to the public. RSVP required.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Gatherings: 11:00 am - 2:00 pm | 3:00 pm - 6:00 pm Food is a bridge between worlds. It carries ritual, lineage, and presence across time. Picnic of Memory weaves local lore, historical crops, forgotten recipes, and global mourning traditions into a living gesture of remembrance. During the Victorian period, gathering for a picnic beside loved ones in the cemetery was a common, cherished way to honor the departed, weaving remembrance into the fabric of everyday life. From this practice to global traditions like Dia de los Muertos, Japanese Obon, and Korean Chuseok, sharing a meal at the threshold of death remains an ancient, human way to soften the veil. The Experience: Picnic of Memory transforms Evergreen Cemetery into an immersive experience combining site-specific walking installations with individual heirloom picnic baskets. Guests are also welcome to bring their own food & drinks to enjoy during the picnic gathering. Conceived of by Liz Birnbaum, founder of The Curated Feast, as a return to place-based culinary storytelling, Picnic of Memory invites you on a contemplative walk through site-specific installations before gathering on the lawn for a shared picnic. Baskets are crafted by Chef Jessica Yarr of The Grove in Felton, featuring local and historical flavors, and logistics and sourcing support thanks to Seth Heitzenrater of La Posta.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
The purpose of this Tibetan spiritual dance is to avert global calamities and bring peace and harmony to the world. Mipham Rinpoche prophesied that if this dance tradition can be propagated, then diseases, famines, and warfare would disappear without a trace, and the sun of happiness would shine. The late Khenpo Jigme Phuntsok promoted this dance practice. Tulku Lakshey Zangpo will teach these dances. Everyone of any age is very welcome. Previous experience or dance skills are not required. And they are meant to be joyful and fun.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Afro-Brazilian dance class focusing on rhythm and movement.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Weekly kids' classes in traditional hula and Tahitian dance, led by Te Hau Nui School at The 418 Project in Santa Cruz.
A weekly hula and Tahitian dance class with the Te Hau Nui school, exploring Polynesian movement and tradition.
Advanced hula and Tahitian dance class for experienced dancers. Part of Te Hau Nui School's curriculum.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Entre Nosotras: Open to Spanish-speaking women with cancer at all stages, from diagnosis through treatment and the healing process. Groups are led in Spanish and meet at Pajaro Community Health Trust Kathleen A. King Community Room : 85 Nielson St, Watsonville, CA 95076 . Please call 831-761-3973 for details. Led by Chila Correa. Meets the 1st and 3rd Thursdays of the month, 5 to 7 pm.
A regular tango class in Downtown Santa Cruz, offering a way to learn Latin dance in a social, cultural setting.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Join the City of Santa Cruz Sister Cities for an afternoon celebrating traditional Japanese and Japanese-inspired arts, crafts, and culture! A special delegation of artists and art enthusiasts from our Sister City, Shingu, Japan are visiting and want to share and engage with you. Whether you want to get your hands messy or simply admire beautiful craftsmanship, there is something for everyone. Come discover the rich cultural connection and find information on Shingu as well!
A weekly Congo dance class in Santa Cruz. Participants learn traditional African dance movements in a group setting at The 418 Project.
Hatch into your next chapter on Thursday, October 8th from 6-8:30pm at the College 9 and John R. Lewis College Multipurpose Room (MPR) β.Λβ‘ ΰ£ͺ Λ Connect with students, staff, and faculty from various Asian American, Pacific Islander, and/or Southwest Asian & North African (AA/PI/SWANA) student organizations and campus departments over food, activities, tabling, and more! Hosted by the Asian American/Pacific Islander Resource Center (AA/PIRC) at UCSC, this event is FREE and open to all UCSC affiliates (students, staff, and faculty). AA/PIRC is one of the six resource centers at UCSC, offering events and other opportunities to connect with the AA/PI/SWANA diaspora. For questions or accommodation requests, please email [email protected]. RSVP at: bit.ly/cw26-rsvp You Belong Here: The programs and services described here are open to all, consistent with state and federal law, as well as the University of Californiaβs nondiscrimination policies. Every initiativeβwhether a student service, faculty program, or community eventβis designed to be accessible, inclusive, and respectful of all identities. To learn more, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications .
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Friday, October 09 2026 11:30am - 12:00pm To celebrate Hispanic Heritage Month, we are hosting a special story time with stories and songs in English and Spanish!
Belew Vai Levin BozzioQuarry Ampitheater at UC Santa CruzCarved from a former limestone quarry in the 1960s, the historic Quarry Amphitheater located at the heart of the UC Santa Cruz campus reopened after a major renovation in October 2017, welcoming its first ever night time concert with LA based rockers Chicano Batman. With a deep history of hosting legendary artists, activists and authors including Angela Davis, Ravi Shankar, Alfred Hitchcock and Cesar Chavez, the Quarry has reopened as a critical gathering space to celebrate live music and community.Referred to as the Red Rocks in the Redwoods, The Quarry is the largest outdoor venue with an existing stage and seating in the greater Santa Cruz community. The Quarry Amphitheaters unique terraced asymmetrical design allows for amazing sight-lines and multiple venue configurations from open floor to reserved seating layouts. At a maximum capacity of 2600, The Quarry now holds the opportunity to become the regions premiere outdoor destination concert venue while also retaining its value as a natural open space.More information: https://www.quarryamphitheater.comOn-Site Parking: $20 per car which includes Shuttle to the Venue. Parking Tickets are not sold in advance. ______On-Stage ExperienceOne premium reserved ticket Watch the show from an exclusive on-stage VIP viewing areaEarly entry into the venueExclusive preshow meet & greet with Adrian Belew, Steve Vai, Tony Levin & Terry BozzioGroup photograph with Adrian Belew, Steve Vai, Tony Levin & Terry BozzioAccess to a pre-show soundcheck Limited edition BEAT tour poster; autographedCommemorative BEAT ticket magnet Specially designed BEAT record bagExclusive VIP merchandise itemOfficial side stage laminate & lanyardVery Limited availabilityMeet & Greet / Soundcheck ExperienceOne premium reserved ticket located in the first 5 rowsEarly entry into the venueExclusive preshow meet & greet with Adrian Belew, Steve Vai, Tony Levin & Terry BozzioGroup photograph with Adrian
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Saturday, October 10 2026 11:00am - 6:00pm Visit the Santa Cruz Public Libraries booth at The Japanese Cultural Fair, an event dedicated to the presentation and preservation of the cultural traditions of Japan.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Quarry Ampitheater at UC Santa CruzCarved from a former limestone quarry in the 1960s, the historic Quarry Amphitheater located at the heart of the UC Santa Cruz campus reopened after a major renovation in October 2017, welcoming its first ever night time concert with LA based rockers Chicano Batman. With a deep history of hosting legendary artists, activists and authors including Angela Davis, Ravi Shankar, Alfred Hitchcock and Cesar Chavez, the Quarry has reopened as a critical gathering space to celebrate live music and community.Referred to as the Red Rocks in the Redwoods, The Quarry is the largest outdoor venue with an existing stage and seating in the greater Santa Cruz community. The Quarry Amphitheaters unique terraced asymmetrical design allows for amazing sight-lines and multiple venue configurations from open floor to reserved seating layouts. At a maximum capacity of 2600, The Quarry now holds the opportunity to become the regions premiere outdoor destination concert venue while also retaining its value as a natural open space.More information: https://www.quarryamphitheater.comOn-Site Parking: $20 per car which includes Shuttle to the Venue. Parking Tickets are not sold in advance.
Sitar maestro Nishat Khan returns to UC Santa Cruz with tabla maestro Nitin Mitta in an Indian classical music concert. Regarded as one of the most influential musicians of his generation for his unique and inspiring work, Khanβs masterful collaborations truly connect music globally. With the strike of a single, unmistakable note, the sound of Khanβs sitar instantly captivates and transforms oneβs mood. Listeners are transported to another realm by a sight and sound unlike any other. As a torchbearer of the most recorded musical family in the world, the Imdad Khani Gharana, seven generations of wisdom reside in his fingertips. While grounded in centuries of tradition, Khan forges his own signature sound with a refreshing twist: familiar yet challenging, unfolding with emotional contrasts and surprises at every turn. Touring and performing throughout the world since age 13, Nishat Khanβs unique cosmopolitan perspective has inspired a great sensitivity and connection to the cultures of music of the world. He gave his first public concert at age 7, and was the youngest performer on an All India Radio national programme at age 15. In more recent years, Khan created history in summer 2025 by composing and creating the first ever traditional (Western) opera from the Indian subcontinent, the Taj Mahal Opera. The opera had its premiere at the Grange Park Opera in the UK to sold-out performances and wide critical acclaim. His recent performances in 2026 include a sold-out concert at the Freight in Berkeley, California. The press calls Kahn: βProfound and electrifyingβ¦pure exhilaration, taking tradition as a blueprint for ecstasyβ (New York Times); βEtherial, compelling, sensual, Nishat Khan master of the sitarβ (Los Angeles Times); βFreewheeling virtuosity inflected with infinite imaginative varietyβ (BBC Proms, The Guardian); and βFerociously giftedβ¦no conceivable limitationsβ¦his sitar roars, cries, and exultsβ (Times of India). CHECK EVENTBRITE.COM FOR UPDATED TICKET INFOR
Bongo Sidibe is a Traditional Drummer and Vocalist from Conakry Guinea, in West Africa. Bongo Sidibe uses his Traditional background as an Artist to create a unique style of music (Traditional, Funk, Reggae Mandingue, Ragga Murfing and Dancehall). He uses his style of music to send a message to the world about Peace and Community Building
Sitar maestro Nishat Khan returns to UC Santa Cruz with tabla maestro Nitin Mitta in an Indian classical music concert. Regarded as one of the most influential musicians of his generation for his unique and inspiring work, Khanβs masterful collaborations truly connect music globally. With the strike of a single, unmistakable note, the sound of Khanβs sitar instantly captivates and transforms oneβs mood. Listeners are transported to another realm by a sight and sound unlike any other. As a torchbearer of the most recorded musical family in the world, the Imdad Khani Gharana, seven generations of wisdom reside in his fingertips. While grounded in centuries of tradition, Khan forges his own signature sound with a refreshing twist: familiar yet challenging, unfolding with emotional contrasts and surprises at every turn. Touring and performing throughout the world since age 13, Nishat Khanβs unique cosmopolitan perspective has inspired a great sensitivity and connection to the cultures of music of the world. He gave his first public concert at age 7, and was the youngest performer on an All India Radio national programme at age 15. In more recent years, Khan created history in summer 2025 by composing and creating the first ever traditional (Western) opera from the Indian subcontinent, the Taj Mahal Opera . The opera had its premiere at the Grange Park Opera in the UK to sold-out performances and wide critical acclaim. His recent performances in 2026 include a sold-out concert at the Freight in Berkeley, California. The press calls Khan: βProfound and electrifyingβ¦pure exhilaration, taking tradition as a blueprint for ecstasyβ ( The New York Times ); βEtherial, compelling, sensual, Nishat Khan master of the sitarβ ( Los Angeles Times ); βFreewheeling virtuosity inflected with infinite imaginative varietyβ (BBC Proms, The Guardian ); and βFerociously giftedβ¦no conceivable limitationsβ¦his sitar roars, cries, and exultsβ ( Times of India ). Nitin Mitta is regarded as one of
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Through music, arts, food, storytelling, and intentional relationship-building, Bienvenida cultivates comunidad while honoring El Centroβs mission of affirming Chicanx and Latine communities. Open to all UCSC students, Bienvenida is sponsored by El Centro : Chicanx Latinx Resource Center, Kresge and Porter Colleges, and the Center for Leadership and Involvement. RSVP: bit.ly/BIENVENIDA-26 You Belong Here: The programs and services described here are open to all, consistent with state and federal law, as well as the University of Californiaβs nondiscrimination policies. Every initiativeβwhether a student service, faculty program, or community eventβis designed to be accessible, inclusive, and respectful of all identities. To learn more, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications .
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Kailua Moon, the next generation of Slack Key guitar artistry with beautiful classic Island Style vocals and a fresh contemporary feel.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
In person and via Zoom ( Meeting ID : 978 5545 8946, Passcode : 454736) . If you are unable to stream the talk live and need to access a recorded version, please contact Stacy Philpott at [email protected] . A UC Santa Cruz email address is required to access the recording. Host: Maywa Montenegro Speaker: Diana Macias, UC Berkeley Title: Caring for cultural keystones: Indigenous-led stewardship, public values, and tree genomics in a hotter, drier world Abstract: Pinyon pine nuts are a culturally significant food source for Indigenous communities who have cared for pinyon-juniper woodlands for millennia. However, colonial land dispossession and federal land management have disrupted these relationships, while recent droughts, wildfires, pests and pathogens have resulted in extensive tree die-off. In the Eastern Sierra of California and Nevada, differing knowledge systems and unequal institutional power have limited effective co-management between Tribes and federal agencies. My work asks: how do we sustain the local variation and place-based knowledge that make tree persistence possible? I share results from three studies: (1) An Indigenous-led monitoring network tracking tree health and cone production, priorities identified by Tribal Environmental Departments of the Big Pine Paiute, Bishop Paiute, and Washoe Tribes; (2) a regional household survey that examined whether recognition of pinyonβjuniper woodlands, climate change knowledge, and demographic factors predicted four measures of environmental care; and (3) a genomic data set from across the pinyon pine species complex which revealed the geography of genetic variation and signatures of climate adaptation. Together, these projects show how ecological monitoring, public perspectives, and population genomics can inform the future of pinyon-juniper woodlands and underscore a broader responsibility to support Indigenous-led stewardship.
Watsonville community members are invited to Somos Watsonville, where our team will contribute a guided and interactive activity alongside existing programming. Los miembros de la comunidad de Watsonville estΓ‘n invitados a Somos Watsonville, donde nuestro equipo contribuirΓ‘ una actividad guiada e interactiva a las actividades existentes. ____________________________________________________________________________________________________________ The event is ADA accessible. Materials will be provided. The event will be indoors. These programs are funded by the Outdoor Equity Grants Program, created through AB 209 and administered by California State Parks, Office of Grants and Local Services. Estos programas son financiados por el Programa de Subvenciones de Equidad al Aire Libre, creado a travΓ©s AB 209 y administrado por la Oficina de Subvenciones y Servicios Locales de Parque Estatales de California.
A weekly Afro-Brazilian dance class focusing on rhythm and movement.
Vocalist, composer, actor, and playwright Somi Kakoma is the Midwestern daughter of immigrants from Uganda and Rwanda. Hailed by The New York Times as βa virtuosic performer in full command of her instrument and powers,β she is known in the international jazz world simply as βSomi.β Her 2021 GRAMMY nomination for Best Jazz Vocal Album made her the first African woman ever nominated in any of the GRAMMY jazz categories, as well as the first Rwandan or Ugandan ever nominated for a GRAMMY. Her last release, Zenzile: The Reimagination of Miriam Makeba, was a companion project to the critically acclaimed original musical Dreaming Zenzile that Somi also wrote and starred in as a tribute to the great South African singer and activist. Her highly anticipated forthcoming album, What Does It Take to Bloom?, will be released in August 2026. Somi is a recipient of two NAACP Image Awards and a Doris Duke Artist Award. Recently, she made her Broadway debut in the titular role of the TONY Award-winning play Jajaβs African Hair Braiding.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Weekly kids' classes in traditional hula and Tahitian dance, led by Te Hau Nui School at The 418 Project in Santa Cruz.
A weekly hula and Tahitian dance class with the Te Hau Nui school, exploring Polynesian movement and tradition.
Advanced hula and Tahitian dance class for experienced dancers. Part of Te Hau Nui School's curriculum.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Join us for a special evening of Saiti - the traditional music and songs of the YawanawΓ‘ people of the Brazilian Amazon.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Congo dance class in Santa Cruz. Participants learn traditional African dance movements in a group setting at The 418 Project.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
A crowd favorite band that is 3 generations deep! Playing classic Hawaiian music as well as contemporary. Hula is a must!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
The purpose of this Tibetan spiritual dance is to avert global calamities and bring peace and harmony to the world. Mipham Rinpoche prophesied that if this dance tradition can be propagated, then diseases, famines, and warfare would disappear without a trace, and the sun of happiness would shine. The late Khenpo Jigme Phuntsok promoted this dance practice. Tulku Lakshey Zangpo will teach these dances. Everyone of any age is very welcome. Previous experience or dance skills are not required. And they are meant to be joyful and fun.
Santa Cruz, get ready. BLVK H3RO LIVE with THE 3PEAT BAND * SELECTA 7 Grab your tickets here!! One of Jamaicaβs most exciting new voices hits Santa Cruz for a night of reggae, dancehall, rhythm, and pure live energy. Big tunes. Full band. Heavy vibes. BLVK H3RO brings a fresh generation of Jamaican sound to the stage, backed by The 3PEAT Band with Selecta 7 keeping the night moving. Donβt miss this one. BLVK H3RO LIVE & THE 3PEAT BAND + SELECTA 7 Santa Cruz, California Come early. Stay late. Feel everything.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
In person and via Zoom ( Meeting ID : 978 5545 8946, Passcode : 454736) . If you are unable to stream the talk live and need to access a recorded version, please contact Stacy Philpott at [email protected] . A UC Santa Cruz email address is required to access the recording. Host: Stacy Philpott Speaker: Antonio Roman-Alcala, CSU East Bay Title: North Stars of Emancipation: Navigating Movements and Institutions to Change Food Systems Abstract: In this talk, Dr. Roman-AlcalΓ‘ will discuss his new book North Stars of Emancipation: Californiaβs Diverse Food and Farming Movements in Times of Racial Reckoning, based on his twenty years of engaging such movements as both participant and (more recently) researcher. The book addresses how food movementsβ racial politics and change-making strategies have shifted over recent decades, in response to the interventions of activists and allies, and in relation to the ever-vexing challenge of working across various kinds of difference. Antonio will present insights from North Stars, illuminating the origins of right wing populist political strategies in Californiaβs agrarian history, dynamics of contemporary movement organizing among ecological farmers, farmworkers, Indigenous people, food justice activists, nonprofit staff, researchers, and others, and suggestions for how to both diversify and strengthen the movement. Addressing social scientific and social movement debates about if and how social movements should seek radical change to society, and how movements might navigate problematic political and economic systems not set up to serve them, the talk will introduce the bookβs call for a βNorth Starβ approach to political change. Such an approach, Antonio argues, can leverage food markets and state policy even while seeking a food system (and world) beyond capitalism and the colonial nation-state.
As a part of the Sovereignty & Solidarity Fall Speaker Series , the Huerta Center is thrilled to host Dr. GΓ©nesis Lara from UC-Irvine to speak on topics related to her upcoming book. The May 1961 assassination of dictator Rafael Trujillo propelled the Dominican Republic into the center stage of Cold War Caribbean geopolitics. This presentation places the Organization of American States (OAS) human rights inspection of the Dominican Republic in contrast to the writings of Dominican women to showcase the limitations of hemispheric entities of human rights in the Caribbean. The paper argues that in the absence of public platforms for truth and reconciliation, the strategic employment of human rights and maternalism on behalf of Dominican women sought to hold the Dominican state accountable for state violence. Through the close reading of personal correspondence and state memoranda, I examine how varying definitions of human were utilized by Dominican women to extract specific demands from Dominican officials. This presentation also examines the ways conservatism and rising Dominican radicalism influenced the demands women made of the state. Critically, this paper excavates the central role of Dominican women in hemispheric development of human rights and reconciliation to argue for its inclusions in evaluations of the legacies of the Cold War radicalism in the Caribbean and Latin America.
In this talk, Dr. Roman-AlcalΓ‘ will discuss his new book, North Stars of Emancipation: Californiaβs Diverse Food and Farming Movements in Times of Racial Reckoning , based on his 20 years of engaging such movements as both participant and (more recently) researcher. The book addresses how food movementsβ racial politics and change-making strategies have shifted over recent decades, in response to the interventions of activists and allies, and in relation to the ever-vexing challenge of working across various kinds of difference. Antonio will present insights from North Stars, illuminating the origins of right wing populist political strategies in Californiaβs agrarian history, dynamics of contemporary movement organizing among ecological farmers, farmworkers, Indigenous people, food justice activists, nonprofit staff, researchers, and others, and suggestions for how to both diversify and strengthen the movement. Addressing social scientific and social movement debates about if and how social movements should seek radical change to society, and how movements might navigate problematic political and economic systems not set up to serve them, the talk will introduce the bookβs call for a βNorth Starβ approach to political change. Such an approach, Antonio argues, can leverage food markets and state policy even while seeking a food system (and world) beyond capitalism and the colonial nation-state.
A weekly Afro-Brazilian dance class focusing on rhythm and movement.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Weekly kids' classes in traditional hula and Tahitian dance, led by Te Hau Nui School at The 418 Project in Santa Cruz.
A weekly hula and Tahitian dance class with the Te Hau Nui school, exploring Polynesian movement and tradition.
Advanced hula and Tahitian dance class for experienced dancers. Part of Te Hau Nui School's curriculum.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Entre Nosotras: Open to Spanish-speaking women with cancer at all stages, from diagnosis through treatment and the healing process. Groups are led in Spanish and meet at406 Main Street #211, Watsonville CA 95076. Please call 831-761-3973 for details. Led by Chila Correa and Socorro Alanis. Meets the 1st and 3rd Thursdays of the month, 5-7 pm.
Entre Nosotras: Open to Spanish-speaking women with cancer at all stages, from diagnosis through treatment and the healing process. Groups are led in Spanish and meet at406 Main Street #211, Watsonville CA 95076. Please call 831-761-3973 for details. Led by Chila Correa and Socorro Alanis. Meets the 1st and 3rd Thursdays of the month, 5-7 pm.
A regular tango class in Downtown Santa Cruz, offering a way to learn Latin dance in a social, cultural setting.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
A weekly Congo dance class in Santa Cruz. Participants learn traditional African dance movements in a group setting at The 418 Project.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Join us for the DΓa de los Muertos community celebration of traditional music, dance, and art at the MAH. This fall, the MAH invites you to our annual DΓa de los Muertos Celebration. On this beloved Oaxacan cultural holiday, the day will be filled with Musical and Dance Performances by Senderos. Throughout the day, we will have hands-on activities, live music, and the powerful presence of community. Explore the MAH to view beautifully crafted altars known as altares, or ofrendas, created by community organizations. Schedule for the Day 12-3 pm - Free Drop-in Art and Cultural Activities 1-3 pm - Musical and Dance Performances Video Storytelling: Honrando Mis Ancestros y Comunidad Learn about DΓa de los Muertos from our community partners and leaders of Senderos. Hear the story of DΓa de los Muertos in our community and the importance of honoring this beautiful celebration, together. Watch the video here! Would you like to volunteer at this event? Volunteer hours: 10-1pm, 1-3pm, 3-5pm Join us as we welcome and greet people attending DΓa de los Muertos at the MAH. During the event, you'll be helping set up, walking around the facility to check in with guests, providing any assistance if needed, and helping break down. No experience is necessary. Training is provided. Contact [email protected]
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Afro-Brazilian dance class focusing on rhythm and movement.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Weekly kids' classes in traditional hula and Tahitian dance, led by Te Hau Nui School at The 418 Project in Santa Cruz.
A weekly hula and Tahitian dance class with the Te Hau Nui school, exploring Polynesian movement and tradition.
Advanced hula and Tahitian dance class for experienced dancers. Part of Te Hau Nui School's curriculum.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de AquΓ, Ni de AllΓ‘ ( Not From Here, Not From There ) by multidisciplinary artist Victor βMarka27β QuiΓ±onez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artistβs interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As QuiΓ±onez explains, this sculpture epitomizes the contradictions of livingβand laboringβas an immigrant in the United States: βMost people see the cooler as a tool for leisureβ¦for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. Theyβre a necessity for survival and a way to start an honest living,β the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de AquΓ, Ni de AllΓ‘ to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
A regular tango class in Downtown Santa Cruz, offering a way to learn Latin dance in a social, cultural setting.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de AquΓ, Ni de AllΓ‘ ( Not From Here, Not From There ) by multidisciplinary artist Victor βMarka27β QuiΓ±onez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artistβs interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As QuiΓ±onez explains, this sculpture epitomizes the contradictions of livingβand laboringβas an immigrant in the United States: βMost people see the cooler as a tool for leisureβ¦for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. Theyβre a necessity for survival and a way to start an honest living,β the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de AquΓ, Ni de AllΓ‘ to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
A weekly Congo dance class in Santa Cruz. Participants learn traditional African dance movements in a group setting at The 418 Project.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Join us for the Santa Cruz premiere of SAND's "Kupuna 'Δina" followed by a Q&A with directors Zaya and Maurizio Benazzo.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de AquΓ, Ni de AllΓ‘ ( Not From Here, Not From There ) by multidisciplinary artist Victor βMarka27β QuiΓ±onez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artistβs interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As QuiΓ±onez explains, this sculpture epitomizes the contradictions of livingβand laboringβas an immigrant in the United States: βMost people see the cooler as a tool for leisureβ¦for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. Theyβre a necessity for survival and a way to start an honest living,β the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de AquΓ, Ni de AllΓ‘ to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Calles Libres transforms downtown Watsonville into a vibrant, car-free space where people of all ages can walk, bike, roll, dance, connect, and celebrate everything that makes Watsonville unique. Inspired by DΓa de los Muertos, this free community event honors culture. Together you will: β’ π΄ Bike, walk, skate, and roll through car-free streets β’ πΆ Enjoy live music, dance, and cultural performances β’ π¨ Participate in hands-on family activities and art β’ π§ Experience movement activities including yoga, Zumba, and wellness experiences β’ πΌ Honor loved ones through DΓa de los Muertos traditions β’ ποΈ Support downtown businesses and local vendors This event is free and open to everyone.
You're invited to join us for Calles Libres/Open Streets Watsonville on Sunday, November 1, from 12 PM to 4 PM at Callaghan Park/Brennan Street in Downtown Watsonville. Calles Libres transforms our downtown into a vibrant, car-free space where people of all ages can walk, bike, roll, dance, connect, and celebrate everything that makes Watsonville unique. Inspired by DΓa de los Muertos, this free community event honors our culture, our loved ones, and the strength of our community while promoting health, wellness, and belonging. Together we will: Β·π΄ Bike, walk, skate, and roll through car-free streets Β·πΆ Enjoy live music, dance, and cultural performances Β·π¨ Participate in hands-on family activities and art Β·π§ Experience movement activities including yoga, Zumba, and wellness experiences Β·πΌ Honor loved ones through DΓa de los Muertos traditions Β·π€ Meet local organizations and discover community resources Β·ποΈ Support downtown businesses and local vendors Our Vision Calles Libres is more than a community event. It is an opportunity to: Β· Build a healthier and more connected community Β· Celebrate Watsonville's culture and diversity Β· Support local businesses Β· Create joyful public spaces for everyone Β· Inspire youth leadership and civic engagement Β· Encourage walking, biking, and active transportation Date: Sunday, November 1, 2026 Time: 12β4 PM Location: Callahan Park and Brennan Street in Watsonville This event is free and open to everyone. We hope you'll join us as we celebrate movement, culture, wellness, and community.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de AquΓ, Ni de AllΓ‘ ( Not From Here, Not From There ) by multidisciplinary artist Victor βMarka27β QuiΓ±onez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artistβs interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As QuiΓ±onez explains, this sculpture epitomizes the contradictions of livingβand laboringβas an immigrant in the United States: βMost people see the cooler as a tool for leisureβ¦for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. Theyβre a necessity for survival and a way to start an honest living,β the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de AquΓ, Ni de AllΓ‘ to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
The purpose of this Tibetan spiritual dance is to avert global calamities and bring peace and harmony to the world. Mipham Rinpoche prophesied that if this dance tradition can be propagated, then diseases, famines, and warfare would disappear without a trace, and the sun of happiness would shine. The late Khenpo Jigme Phuntsok promoted this dance practice. Tulku Lakshey Zangpo will teach these dances. Everyone of any age is very welcome. Previous experience or dance skills are not required. And they are meant to be joyful and fun.
Cello music group meets at the German Cultural Center in Santa Cruz, a recurring session for cello players to practice together.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Afro-Brazilian dance class focusing on rhythm and movement.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Weekly kids' classes in traditional hula and Tahitian dance, led by Te Hau Nui School at The 418 Project in Santa Cruz.
A weekly hula and Tahitian dance class with the Te Hau Nui school, exploring Polynesian movement and tradition.
Advanced hula and Tahitian dance class for experienced dancers. Part of Te Hau Nui School's curriculum.
Los Gaiteros de San Jacinto, Fruko and Carmelo Torres Present: Madre Cumbia at Felton Music Hall on Tuesday, November 3rd 2026 Tickets at: https://www.prekindle.com/event/56962-los-gaiteros-de-san-jacinto-felton
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de AquΓ, Ni de AllΓ‘ ( Not From Here, Not From There ) by multidisciplinary artist Victor βMarka27β QuiΓ±onez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artistβs interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As QuiΓ±onez explains, this sculpture epitomizes the contradictions of livingβand laboringβas an immigrant in the United States: βMost people see the cooler as a tool for leisureβ¦for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. Theyβre a necessity for survival and a way to start an honest living,β the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de AquΓ, Ni de AllΓ‘ to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
Entre Nosotras: Open to Spanish-speaking women with cancer at all stages, from diagnosis through treatment and the healing process. Groups are led in Spanish and meet at Pajaro Community Health Trust Kathleen A. King Community Room : 85 Nielson St, Watsonville, CA 95076 . Please call 831-761-3973 for details. Led by Chila Correa. Meets the 1st and 3rd Thursdays of the month, 5 to 7 pm.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de AquΓ, Ni de AllΓ‘ ( Not From Here, Not From There ) by multidisciplinary artist Victor βMarka27β QuiΓ±onez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artistβs interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As QuiΓ±onez explains, this sculpture epitomizes the contradictions of livingβand laboringβas an immigrant in the United States: βMost people see the cooler as a tool for leisureβ¦for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. Theyβre a necessity for survival and a way to start an honest living,β the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de AquΓ, Ni de AllΓ‘ to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
Biblioteca Watsonville Primer jueves del mes, 5:30-7:30pm Facilitado por Roselyn Macias el primer jueves de cada mes Β‘Bienvenidos al grupo Mariposa de la Comunidad LGBTQ+ de Watsonville del Centro de Diversidad! ΒΏTiene 18 aΓ±os o mΓ‘s, se siente solo, sin apoyo? O quieres conocer a otros como tΓΊ. Lo encontraste. AquΓ obtendrΓ‘ recursos, apoyo, capacitaciones y tendrΓ‘ nuevas conexiones en la comunidad. Watsonville Library Every first Thursday of the month, 5:30-7:30pm Facilitated by Roselyn Macias on the first Thursday of the month Welcome to The Diversity Centerβs Spanish-speaking LGBTQ+ support group in Watsonville ! Are you 18 or older, feel alone, unsupported, or want to meet others like yourself? You found us. Here you will get resources, support, trainings, and make new connections in your community.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
First Friday at The 418 Project in Santa Cruz, featuring artist-led offerings and community connection. Focus on supporting BIPOC, women, and artists.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de AquΓ, Ni de AllΓ‘ ( Not From Here, Not From There ) by multidisciplinary artist Victor βMarka27β QuiΓ±onez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artistβs interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As QuiΓ±onez explains, this sculpture epitomizes the contradictions of livingβand laboringβas an immigrant in the United States: βMost people see the cooler as a tool for leisureβ¦for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. Theyβre a necessity for survival and a way to start an honest living,β the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de AquΓ, Ni de AllΓ‘ to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de AquΓ, Ni de AllΓ‘ ( Not From Here, Not From There ) by multidisciplinary artist Victor βMarka27β QuiΓ±onez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artistβs interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As QuiΓ±onez explains, this sculpture epitomizes the contradictions of livingβand laboringβas an immigrant in the United States: βMost people see the cooler as a tool for leisureβ¦for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. Theyβre a necessity for survival and a way to start an honest living,β the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de AquΓ, Ni de AllΓ‘ to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
In celebration of the centennial of trumpeter Miles Davis, the Marcus Shelby Nonet presents Birth of the Cool: Revisited, featuring music from the groundbreaking Davis recording performed in its original instrumentation. Birth of the Cool was not a singular session, but the composite work of a young innovative genius at the beginning of a long and storied career; surrounded and supported by a group of forward thinking musicians, composers, and arrangers. Birth of the Cool remains one of the most enduring recordings in the history of music β let alone jazz. The Marcus Shelby Nonet consists of nine San Francisco Bay Area master musicians, all of whom are a part of the Marcus Shelby New Orchestra: Heidi Tretheren on French horn, Remee Ashley on trombone, Mike Olmos on trumpet, Tony Peebles on alto saxophone, Melecio Magdaluyo on baritone saxophone, Jonathan Seiberlich on tuba, Greg Jacobs on piano, Shelby on bass, and Jemal Ramirez on drums.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
βNi de aquΓ, ni de allΓ‘β (βneither from here, nor thereβ), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor βMarka27β QuiΓ±onez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
As a volunteer docent for the County of Santa Cruz Park system, Richard James has researched the colorful history of Quail Hollow Ranch for years. His new tour, βWithin These Walls: Ghosts of the Past at Quail Hollow,β condenses more than 151 years into roughly two hours. Learn about its history from transporting Abraham Lincoln to the Watermelon King to Sun-Kissed Ranch, the founding of Sunset Magazine, and beyond. For ages 16 and up. Space is limited for this free activity. Participants may register in advance at the link in the orange button above or call 831-454-7941.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860βs cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitorβs center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
With a career spanning more than twenty years and six studio albums, Las Migas have become one of the most internationally acclaimed Spanish bands. They have performed in more than fifty countries and have been nominated four times for the Latin GRAMMY Award in the Best Flamenco Album category (2016, 2022, 2024, and 2025), winning the award twice. They have also received the prestigious MIN Award in 2019 and 2023 for their albums Rumberas and Libres, respectively. In the spring of 2025, Las Migas released Flamencas, a tribute to the essence and purity of flamenco. In this work, the band evolves its sound toward a more contemporary expression, wrapped in a powerful visual identity showcased in the video for βCelos,β directed by renowned fashion photographer Javier Biosca. The recording won the Latin GRAMMY Award for Best Flamenco Album. Throughout their career, Las Migas have collaborated with a wide array of acclaimed artists such as Estrella Morente, Viva Suecia, RozalΓ©n, El Kanka, Kevin Johansen, Tomatito, Josemi Carmona, and Loli Molina. These collaborations reflect the immense musicality and versatility of this unstoppable all-women band.
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