Live music, festivals, art walks, surf contests, trail days and everything in between.
In-person only, on purpose. Everything here is something you can actually show up to. No screens, no streams.
First Friday: Costume Party Edition 👻 Friday, October 2 · 7–10 PM · 21+ Treehouse is hosting our first-ever cannabis consumption event, and we're kicking it off with a costume party. Come as you are, or come as someone (or something) else entirely. Spooky season starts here. Live music by Junebug (8–9:30 PM) Folk-fusion fingerstyle guitar from a one-woman band. Junebug also tap dances and plays harmonica, autoharp, kazoo, trumpet, ukulele, and banjo, so expect the unexpected. Artists & Makers Market (7–10 PM) Browse and shop work from local artists and makers: Art by Dejon, Cyanide Cyn, Mori Mysterium, Mountain Medusa, Stitch and Story, Penning Beads, WilderWilds, Corals Tiny World, Hermelinda, and Potato Studios. Stash Jar Making (7–10 PM) Puff, puff, craft. Stop by our free DIY station and decorate a one-of-a-kind stash jar to keep your favorite flower fresh and stylish. All supplies provided. Just bring your creativity. Cannabis Elixirs 🍹 Sip, sip, hooray. Enjoy refreshing cannabis elixirs while you get crafty and catch the show. Free to attend. Costumes strongly encouraged. Must be 21+ with valid ID. Treehouse Dispensary · 3651 Soquel Drive, Santa Cruz We're proud to offer everyday savings for our community: New Members: 10% off your first order Wisdom Discount (65+): 5% off Medical Patients: 10% off Students & Teachers: 20% off with valid ID Veterans: 20% off *Please note that discounts do not stack with other deals. Ask staff for exclusions.
Coming up
🌕 Full Moon Sound Bath & Guided Meditation 80-Minute Experience | Spa Santangelo, Felton, CA + Online Join Melissa at each Full Moon for a deeply restorative journey designed to help you reconnect, release, and restore your inner balance. Step into a serene, supportive space and allow yourself to fully unwind. This immersive experience combines the healing vibrations of a live sound bath, guided meditation, journaling, and fire release to bring a deeper sense of peace and balance. You’ll be guided through Melissa’s Mystic Meditations—a thoughtfully curated journey inspired by the energy of the Full Moon: 🌕 Full Moon — LET GO Release what no longer serves you, clear stagnant energy, and create space for what’s next. The Full Moon offers an opportunity to reflect on what has come to fruition and consciously release what you’re ready to leave behind. Through meditation, sound, journaling, and fire release, allow yourself to let go and make room for renewed balance and clarity. Whether you join us in person at Spa Santangelo in Felton, CA, or online from the comfort of your own home, come exactly as you are. In-person groups of up to 10 guests are welcome. Gather your friends, family, or community and share this beautiful experience together. 📚 Extend Your Wellness Journey Continue exploring your path with offerings from The Groovy Goddess, including: ✨ In-person & online sessions 📚 Books 🎧 Guided meditations 🌿 Online transformational courses ✨ Come as you are. Leave feeling lighter, grounded, peaceful, and renewed—ready to move forward with greater clarity.
A monthly open mic night at the 418 Project featuring music, theatre, and spoken word performances.
6 - 10pm · Carla Re hosts an amazing Karaoke all over the Bay Area. This is her first time here at The Cruz Room. Come join the fun!
Coming up
🥂 🎨 9/27 🍻🍹🍸 STIMULATE YOUR SENSES AT @missionwest.bar WITH A MULTI SENSORY CREATIVE EXPERIENCE: PAINT & SIP with LIVE MUSIC BY DJ CAPPUCCINO & shop local artisans | 6pm-8pm 🖼️ This is A GUIDED LOCAL LANDSCAPE ACRYLIC PAINTING WORKSHOP EXPERIENCE: 🖌️ Explore shading, depth, & layering techniques. As well as many tips to help you feel comfortable using creative materials. 🎨 ALL SUPPLIES INCLUDED As you sip a delicious beverage by MISSION WEST BAR you will be guided through creating your own unique work of art. Music will make you want to move and groove while you paint. You’re not glued to your seat so feel free to get up and dance. In addition, Local artisans @suzyrad @artbysunes @deelighteddesigns will have there unique and hand made goods for you to shop after the event. This is a moment to connect with yourself and mingle with the local community in a completely safe space to be yourself and let loose! ALL PARTICIPANTS 21+ RECEIVE DRINK SPECIALS 🍻🍸🍹🥂🍾 LIMITED SPOTS AVAILABLE 💸 $45 or 2 for $85 🎟️ RSVP TXT “MWEST” [818.489.0988](tel:818.489.0988) 💫 GOOD VIBES ONLY ✌🏼 🌙 ALL ARE WELCOME 21+ 🫶 🌞 RELAX & UNWIND ✨ 🌟 CONNECT WITH YOURSELF & THE COMMUNITY ⚡️ UNLEASH YOUR INNER CHILD & AWAKEN YOUR SPIRIT 🌬️ BREATHE, BE PRESENT & LIVE IN THE MOMENT! 🐦🔥 ACTIVATE YOUR WELL BEING 🧠 🫀 ENGAGE IN A MINDFUL & INTENTIONAL EXPERIENCE 🎨 Creative self care & a healing meditative wellness experience through art, music and community! 🫶 This space is completely safe. Here to help guide, support, & encourage your unique creative expression experience! ✨✨✨ 🙏 🙌 Grateful to be collaborating with local businesses, local artists, & local musicians to create unique and unforgettable MULTI SENSORY CREATIVE EXPERIENCES for ALL our community to enjoy! 🫶✨ Art therapy Paint & Sip Creative expression Acrylic workshop Art & wellness Support local #santacruzevents #santacruz #santacruzart #santacruzartist #artisthedeeperyou
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Showing 60 of 252 upcoming events · Cultural Event
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Afro-Brazilian dance class focusing on rhythm and movement.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
An interdisciplinary department that centers the interconnected experiences and perspectives of Latin American and Latinx communities. This program provides rigorous training in disciplinary and interdisciplinary theory and research methods to investigate transnational processes that link the Americas. We especially invite applications from students interested in: Transnationalisms, Migration, and Displacement Intersectionality, Identities, and Inequalities Culture, Power, and Knowledge Collective Action, Social Movements, and Social Change Session 1: Tuesday, September 29, noon-1pm Learn about our interdisciplinary and hemispheric approach and major research areas Hear from faculty and graduate students about their scholarship Ask questions about the program and UC Santa Cruz Session 2: Tuesday, November 17, noon-1pm Learn about the Ph.D. program curriculum and structure Hear from the Graduate Director and Graduate Program Coordinator Ask questions about the application process RSVP to one or both sessions using our Google Form >>
Weekly kids' classes in traditional hula and Tahitian dance, led by Te Hau Nui School at The 418 Project in Santa Cruz.
A weekly hula and Tahitian dance class with the Te Hau Nui school, exploring Polynesian movement and tradition.
Advanced hula and Tahitian dance class for experienced dancers. Part of Te Hau Nui School's curriculum.
Come help us celebrate Téada’s 25th Anniversary of touring as one of Ireland's leading traditional bands! The five members of the band are fiddle player Oisín Mac Diarmada, button accordion player Paul Finn, Damien Stenson performs on flute, Samantha Harvey, piano/dance, Seán Mc Elwain who switches between the bouzouki and guitar and bodhrán player Tristan Rosenstock. You will undoubtedly recognize fiddler Oisín Mac Diarmada, if you have attended an Irish Christmas In America concert. A leading exponent of Irish traditional music, Téada is driven by a fascination for the timeless, expressive force of music inherited from previous generations of musicians. An Irish band with a truly worldwide reach, Téada has frequently appeared as headliners at major music festivals throughout the US, Canada, Mexico, Europe, Africa, Russia, Israel and Australia. Highlights include a 30,000-capacity stadium concert in Brittany, along with performances at Penang World Music Festival in Malaysia, Edmonton Folk Festival in Canada, Harare International Festival of the Arts in Zimbabwe, and the Milwaukee Irish Festival. The group also received an invitation from the Irish Embassy in Rome during 2008 to perform at a commemorative event marking the 400th anniversary of the landmark event in Irish history known as The Flight of the Earls. With engaging textural arrangements, Téada, which means "strings", will have you dancing in your seat. Tickets: celticsociety.org members: $27 non-members: $31.25 student/child: $15.25
Presented by Celtic Society of the Monterey Bay
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A regular tango class in Downtown Santa Cruz, offering a way to learn Latin dance in a social, cultural setting.
Cyrille Aimée (Surreal MA) is a FrenchDominican vocalist and actress. Winner of the Montreux Jazz Festival's Vocal Competition, the Sarah Vaughn International Jazz Vocal Competition and finalist in the Thelonious Monk Vocal Competition, Aimée is—in the words of Will Friedwald of The Wall Street Journal—"one of the most promising jazz singers of her generation." In the same Wall Street Journal feature (which included vocalist Cecile McLorin Salvant), Friedwald declared both to be “astonishing creative singers, with a brilliant sound, fresh ideas, impeccable rhythm and an overall approach that honors tradition without being shackled to the past." Aimée was born in Fontainebleau, France, to a French father and Dominican mother. Her introduction to jazz was the result of the fortuitous location of her upbringing, the village SamoissurSeine—the same place where legendary gypsy guitarist Django Reinhardt had lived. Every June for decades, gypsies have descended upon Samois, setting up caravans in nearby meadows for the annual Django Reinhardt Festival. During those June nights many years ago, after her parents would fall asleep, a young, curious Aimée would climb out her bedroom window and wander into the gypsy encampments. Aimée would sing by the fire with Django’s descendents and began to fall in love with the gypsy way of life—scampering home before the sun rose. Explained Aimée, "I was hypnotized by gypsy music which made me want to tap my feet; music that swings makes me so happy." As a teenager, Aimée performed in various Parisian cafés and clubs. When her family moved to Singapore, she remained in Paris to attend the American School of Modern Music. She also auditioned for "Star Academy," a kind of French "American Idol." Selected to be one of 16 semifinalists, Aimée had second thoughts when handed a contract that tied her up every which way for years—including the songs to sing. This was too much for her gypsy spirit—so she quit. The French media so pursued
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Congo dance class in Santa Cruz. Participants learn traditional African dance movements in a group setting at The 418 Project.
Straight out of Yemen comes El Khat, a self-proclaimed homemade junkyard band. The humor and ingenuity are that most of the instruments are recycled plastic, metal, and wood. This dynamic three-piece creates a cinematic mindscape that feels like you’re drifting over the sands of the Arabian Desert. But this isn’t spa music; it’s like Frank Zappa and a ’70s progressive rock band melded with an ancient rhythm. Multi-instrumentalist Eyal El Wahab leads the charge with a message of humanity over nation. El Khat is named after the chewed speedy drug khat and the music has a kick to it. -DNA; Good Times Santa Cruz
Santa Cruz Theatrical Premiere – New Documentary! THEATRE OF HORRORS: THE SORDID STORY OF PARIS’ GRAND GUIGNOL (2025, Severin Films, 89 min. Dir. David Gregory.) In 1897, in a back alley in the seedy Pigalle district of Paris, a former chapel turned small performance space became a theatrical institution forged in naturalism, controversy and grisly spectacle. Over the next 65 years, it would actively provoke revulsion, celebration and begrudging global esteem. More than a half century after its final performance, the Grand Guignol remains one of the most wildly misunderstood and profoundly influential traditions in entertainment history. From horror films to tabloid journalism, avant-garde theater to the true-crime genre, France’s ‘Theater of Death’ is still slicing, gouging, and spurting its pervasive way through culture both high and low. Or as the BBC recently declared, “Even if there were no ghosts onstage, this unusual little Parisian theater continues to haunt us today.” In the new documentary by award-winning producer/director/editor David Gregory – whose previous explorations of transgressive entertainment include LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU, BLOOD & FLESH: THE REEL LIFE & GHASTLY DEATH OF AL ADAMSON, ENTER THE CLONES OF BRUCE and SUZZANNA: THE QUEEN OF BLACK MAGIC – and narrated by international genre icon Barbara Steele – legendary star of BLACK SUNDAY, THE PIT & THE PENDULUM, THE GHOST and more – discover the history, mystery, and ongoing socio-cultural impact of what may be France’s most infamous export. “I’ve been fascinated by The Grand Guignol since childhood,” says Gregory. “But despite brief mentions in horror history books and deep scholarly studies, my search for a cinematic exploration of the subject had consistently proved unrewarding. Even my interactions with French genre filmmakers revealed their own superficial knowledge of the Theater’s significance. It’s all led me to dig deeper and discover the
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Join the Santa Cruz Museum for a free public Zine-Making activity, with access to our ongoing exhibitions! Presented in connection with a pop-up project on Oaxacan Languages of the Transnational Central Coast with the UC Santa Cruz Humanities Institute , this interactive activity will invite museum visitors to share personal stories or reflections on language, identity, and belonging. *More information on the Oaxacan Languages Pop-Up will be available soon
First Friday at The 418 Project in Santa Cruz, featuring artist-led offerings and community connection. Focus on supporting BIPOC, women, and artists.
Take a free, guided tour of the 30-acre organic UCSC Farm. Visitors tour organically managed greenhouses, hand-worked garden beds, orchards, row crop fields, and the children’s garden while learning about the history of the site and the basic concepts of organic farming and gardening. Perched on a meadow near the campus entrance, the farm also offers spectacular views of the Monterey Bay. Heavy rain cancels. Free and open to the public. RSVP required.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor “Marka27” Quiñonez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860’s cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitor’s center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Gatherings: 11:00 am - 2:00 pm | 3:00 pm - 6:00 pm Food is a bridge between worlds. It carries ritual, lineage, and presence across time. Picnic of Memory weaves local lore, historical crops, forgotten recipes, and global mourning traditions into a living gesture of remembrance. During the Victorian period, gathering for a picnic beside loved ones in the cemetery was a common, cherished way to honor the departed, weaving remembrance into the fabric of everyday life. From this practice to global traditions like Dia de los Muertos, Japanese Obon, and Korean Chuseok, sharing a meal at the threshold of death remains an ancient, human way to soften the veil. The Experience: Picnic of Memory transforms Evergreen Cemetery into an immersive experience combining site-specific walking installations with individual heirloom picnic baskets. Guests are also welcome to bring their own food & drinks to enjoy during the picnic gathering. Conceived of by Liz Birnbaum, founder of The Curated Feast, as a return to place-based culinary storytelling, Picnic of Memory invites you on a contemplative walk through site-specific installations before gathering on the lawn for a shared picnic. Baskets are crafted by Chef Jessica Yarr of The Grove in Felton, featuring local and historical flavors, and logistics and sourcing support thanks to Seth Heitzenrater of La Posta.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor “Marka27” Quiñonez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860’s cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitor’s center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
The purpose of this Tibetan spiritual dance is to avert global calamities and bring peace and harmony to the world. Mipham Rinpoche prophesied that if this dance tradition can be propagated, then diseases, famines, and warfare would disappear without a trace, and the sun of happiness would shine. The late Khenpo Jigme Phuntsok promoted this dance practice. Tulku Lakshey Zangpo will teach these dances. Everyone of any age is very welcome. Previous experience or dance skills are not required. And they are meant to be joyful and fun.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
A weekly Afro-Brazilian dance class focusing on rhythm and movement.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Weekly kids' classes in traditional hula and Tahitian dance, led by Te Hau Nui School at The 418 Project in Santa Cruz.
A weekly hula and Tahitian dance class with the Te Hau Nui school, exploring Polynesian movement and tradition.
Advanced hula and Tahitian dance class for experienced dancers. Part of Te Hau Nui School's curriculum.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor “Marka27” Quiñonez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Entre Nosotras: Open to Spanish-speaking women with cancer at all stages, from diagnosis through treatment and the healing process. Groups are led in Spanish and meet at Pajaro Community Health Trust Kathleen A. King Community Room : 85 Nielson St, Watsonville, CA 95076 . Please call 831-761-3973 for details. Led by Chila Correa. Meets the 1st and 3rd Thursdays of the month, 5 to 7 pm.
A regular tango class in Downtown Santa Cruz, offering a way to learn Latin dance in a social, cultural setting.
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor “Marka27” Quiñonez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Join the City of Santa Cruz Sister Cities for an afternoon celebrating traditional Japanese and Japanese-inspired arts, crafts, and culture! A special delegation of artists and art enthusiasts from our Sister City, Shingu, Japan are visiting and want to share and engage with you. Whether you want to get your hands messy or simply admire beautiful craftsmanship, there is something for everyone. Come discover the rich cultural connection and find information on Shingu as well!
A weekly Congo dance class in Santa Cruz. Participants learn traditional African dance movements in a group setting at The 418 Project.
Hatch into your next chapter on Thursday, October 8th from 6-8:30pm at the College 9 and John R. Lewis College Multipurpose Room (MPR) ⋆.˚⟡ ࣪ ˖ Connect with students, staff, and faculty from various Asian American, Pacific Islander, and/or Southwest Asian & North African (AA/PI/SWANA) student organizations and campus departments over food, activities, tabling, and more! Hosted by the Asian American/Pacific Islander Resource Center (AA/PIRC) at UCSC, this event is FREE and open to all UCSC affiliates (students, staff, and faculty). AA/PIRC is one of the six resource centers at UCSC, offering events and other opportunities to connect with the AA/PI/SWANA diaspora. For questions or accommodation requests, please email [email protected]. RSVP at: bit.ly/cw26-rsvp You Belong Here: The programs and services described here are open to all, consistent with state and federal law, as well as the University of California’s nondiscrimination policies. Every initiative—whether a student service, faculty program, or community event—is designed to be accessible, inclusive, and respectful of all identities. To learn more, please visit UC Nondiscrimination Statement or Nondiscrimination Policy for UC Publications .
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor “Marka27” Quiñonez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Friday, October 09 2026 11:30am - 12:00pm To celebrate Hispanic Heritage Month, we are hosting a special story time with stories and songs in English and Spanish!
Belew Vai Levin BozzioQuarry Ampitheater at UC Santa CruzCarved from a former limestone quarry in the 1960s, the historic Quarry Amphitheater located at the heart of the UC Santa Cruz campus reopened after a major renovation in October 2017, welcoming its first ever night time concert with LA based rockers Chicano Batman. With a deep history of hosting legendary artists, activists and authors including Angela Davis, Ravi Shankar, Alfred Hitchcock and Cesar Chavez, the Quarry has reopened as a critical gathering space to celebrate live music and community.Referred to as the Red Rocks in the Redwoods, The Quarry is the largest outdoor venue with an existing stage and seating in the greater Santa Cruz community. The Quarry Amphitheaters unique terraced asymmetrical design allows for amazing sight-lines and multiple venue configurations from open floor to reserved seating layouts. At a maximum capacity of 2600, The Quarry now holds the opportunity to become the regions premiere outdoor destination concert venue while also retaining its value as a natural open space.More information: https://www.quarryamphitheater.comOn-Site Parking: $20 per car which includes Shuttle to the Venue. Parking Tickets are not sold in advance. ______On-Stage ExperienceOne premium reserved ticket Watch the show from an exclusive on-stage VIP viewing areaEarly entry into the venueExclusive preshow meet & greet with Adrian Belew, Steve Vai, Tony Levin & Terry BozzioGroup photograph with Adrian Belew, Steve Vai, Tony Levin & Terry BozzioAccess to a pre-show soundcheck Limited edition BEAT tour poster; autographedCommemorative BEAT ticket magnet Specially designed BEAT record bagExclusive VIP merchandise itemOfficial side stage laminate & lanyardVery Limited availabilityMeet & Greet / Soundcheck ExperienceOne premium reserved ticket located in the first 5 rowsEarly entry into the venueExclusive preshow meet & greet with Adrian Belew, Steve Vai, Tony Levin & Terry BozzioGroup photograph with Adrian
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
Saturday, October 10 2026 11:00am - 6:00pm Visit the Santa Cruz Public Libraries booth at The Japanese Cultural Fair, an event dedicated to the presentation and preservation of the cultural traditions of Japan.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor “Marka27” Quiñonez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
Discover what life was like a century ago on this innovative dairy ranch. This hour-long tour includes the 1896 water-powered machine shop, horse barn, uniquely constructed 1860’s cow barn, 1858 farmhouse, and 1897 Queen Anne Victorian home. Meet at the visitor’s center. This tour is free. Parking in Day-use lot is $10. Hold on to that receipt! Once you have paid for parking at one state park or beach, you have paid for the day at all of them! There are over 14 in Santa Cruz County alone. For more information, email [email protected] or call (669)758-1963. Click the link in the orange button above to reserve your spot!
Quarry Ampitheater at UC Santa CruzCarved from a former limestone quarry in the 1960s, the historic Quarry Amphitheater located at the heart of the UC Santa Cruz campus reopened after a major renovation in October 2017, welcoming its first ever night time concert with LA based rockers Chicano Batman. With a deep history of hosting legendary artists, activists and authors including Angela Davis, Ravi Shankar, Alfred Hitchcock and Cesar Chavez, the Quarry has reopened as a critical gathering space to celebrate live music and community.Referred to as the Red Rocks in the Redwoods, The Quarry is the largest outdoor venue with an existing stage and seating in the greater Santa Cruz community. The Quarry Amphitheaters unique terraced asymmetrical design allows for amazing sight-lines and multiple venue configurations from open floor to reserved seating layouts. At a maximum capacity of 2600, The Quarry now holds the opportunity to become the regions premiere outdoor destination concert venue while also retaining its value as a natural open space.More information: https://www.quarryamphitheater.comOn-Site Parking: $20 per car which includes Shuttle to the Venue. Parking Tickets are not sold in advance.
Sitar maestro Nishat Khan returns to UC Santa Cruz with tabla maestro Nitin Mitta in an Indian classical music concert. Regarded as one of the most influential musicians of his generation for his unique and inspiring work, Khan’s masterful collaborations truly connect music globally. With the strike of a single, unmistakable note, the sound of Khan’s sitar instantly captivates and transforms one’s mood. Listeners are transported to another realm by a sight and sound unlike any other. As a torchbearer of the most recorded musical family in the world, the Imdad Khani Gharana, seven generations of wisdom reside in his fingertips. While grounded in centuries of tradition, Khan forges his own signature sound with a refreshing twist: familiar yet challenging, unfolding with emotional contrasts and surprises at every turn. Touring and performing throughout the world since age 13, Nishat Khan’s unique cosmopolitan perspective has inspired a great sensitivity and connection to the cultures of music of the world. He gave his first public concert at age 7, and was the youngest performer on an All India Radio national programme at age 15. In more recent years, Khan created history in summer 2025 by composing and creating the first ever traditional (Western) opera from the Indian subcontinent, the Taj Mahal Opera. The opera had its premiere at the Grange Park Opera in the UK to sold-out performances and wide critical acclaim. His recent performances in 2026 include a sold-out concert at the Freight in Berkeley, California. The press calls Kahn: “Profound and electrifying…pure exhilaration, taking tradition as a blueprint for ecstasy” (New York Times); “Etherial, compelling, sensual, Nishat Khan master of the sitar” (Los Angeles Times); “Freewheeling virtuosity inflected with infinite imaginative variety” (BBC Proms, The Guardian); and “Ferociously gifted…no conceivable limitations…his sitar roars, cries, and exults” (Times of India). CHECK EVENTBRITE.COM FOR UPDATED TICKET INFOR
Bongo Sidibe is a Traditional Drummer and Vocalist from Conakry Guinea, in West Africa. Bongo Sidibe uses his Traditional background as an Artist to create a unique style of music (Traditional, Funk, Reggae Mandingue, Ragga Murfing and Dancehall). He uses his style of music to send a message to the world about Peace and Community Building
Sitar maestro Nishat Khan returns to UC Santa Cruz with tabla maestro Nitin Mitta in an Indian classical music concert. Regarded as one of the most influential musicians of his generation for his unique and inspiring work, Khan’s masterful collaborations truly connect music globally. With the strike of a single, unmistakable note, the sound of Khan’s sitar instantly captivates and transforms one’s mood. Listeners are transported to another realm by a sight and sound unlike any other. As a torchbearer of the most recorded musical family in the world, the Imdad Khani Gharana, seven generations of wisdom reside in his fingertips. While grounded in centuries of tradition, Khan forges his own signature sound with a refreshing twist: familiar yet challenging, unfolding with emotional contrasts and surprises at every turn. Touring and performing throughout the world since age 13, Nishat Khan’s unique cosmopolitan perspective has inspired a great sensitivity and connection to the cultures of music of the world. He gave his first public concert at age 7, and was the youngest performer on an All India Radio national programme at age 15. In more recent years, Khan created history in summer 2025 by composing and creating the first ever traditional (Western) opera from the Indian subcontinent, the Taj Mahal Opera . The opera had its premiere at the Grange Park Opera in the UK to sold-out performances and wide critical acclaim. His recent performances in 2026 include a sold-out concert at the Freight in Berkeley, California. The press calls Khan: “Profound and electrifying…pure exhilaration, taking tradition as a blueprint for ecstasy” ( The New York Times ); “Etherial, compelling, sensual, Nishat Khan master of the sitar” ( Los Angeles Times ); “Freewheeling virtuosity inflected with infinite imaginative variety” (BBC Proms, The Guardian ); and “Ferociously gifted…no conceivable limitations…his sitar roars, cries, and exults” ( Times of India ). Nitin Mitta is regarded as one of
Travel over trestles, through towering redwood groves and up a winding narrow-gauge grade to the summit of Bear Mountain as conductors narrate the history of Roaring Camp, the railroad and the forest.
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