From the waves to the redwoods, it's all happening here.

Zen Meditation. Open to all. Free of charge.

A 4-act journey to heal our colonialist history through story, community singing and grief practices

Join us for a series of daytime talks with SPAM artists Jean Carla Rodea, Dorothy R. Santos, and Abram Stern. Program Jean Carla Rodea - The Archive is a Body. Rather than presenting a chronological review of my practice, this session investigates how memory is recorded, distorted, embodied, and reconstructed. Dorothy R. Santos - untitled talk Abram Stern - untitled talk About the Artists Jean Carla Rodea Jean Carla Rodea is an interdisciplinary artist with a research-based practice, originally from Mexico City and currently based between San Francisco, CA, and Brooklyn, NY. Their work spans music, sound, vocality, performance, poetry, photography, video, and sculpture, moving fluidly between solo projects and collaborative, cross-disciplinary environments. They draw from shifting identities, immigration, ritual, performance, ecology, construction work, and improvisation, engaging deeply with time-based media and the diverse spaces where these interactions take place. A central focus of their practice is the exploration of critical socio-political issues, including the politics of the body, gender, memory, and imbalanced human relationships. They are particularly invested in how time is constructed through memory, and how those memories-whether embodied or embedded within spaces-are recorded, fragmented, and continually reconstructed. This investigation opens pathways for fiction and speculative dimensions to disrupt and challenge dominant narratives. Archival research is a recurring methodology in their work, encompassing both institutional and personal archives. From these materials, they craft speculative histories, responding to documents, physical traces, and spaces. In their engagement with the archive, they embody multiple performative roles: witness, observer, participant, and researcher, each inhabiting the temporary sites where events unfold. Dorothy R. Santos, Ph. D. Dorothy R. Santos, Ph. D. (she/they) is a Filipino-American writer, artist, and media sch

A Queer Line Dance Party & Variety Show

Sitar maestro Nishat Khan returns to UC Santa Cruz with tabla maestro Nitin Mitta in an Indian classical music concert. Regarded as one of the most influential musicians of his generation for his unique and inspiring work, Khan’s masterful collaborations truly connect music globally. With the strike of a single, unmistakable note, the sound of Khan’s sitar instantly captivates and transforms one’s mood. Listeners are transported to another realm by a sight and sound unlike any other. As a torchbearer of the most recorded musical family in the world, the Imdad Khani Gharana, seven generations of wisdom reside in his fingertips. While grounded in centuries of tradition, Khan forges his own signature sound with a refreshing twist: familiar yet challenging, unfolding with emotional contrasts and surprises at every turn. Touring and performing throughout the world since age 13, Nishat Khan’s unique cosmopolitan perspective has inspired a great sensitivity and connection to the cultures of music of the world. He gave his first public concert at age 7, and was the youngest performer on an All India Radio national programme at age 15. In more recent years, Khan created history in summer 2025 by composing and creating the first ever traditional (Western) opera from the Indian subcontinent, the Taj Mahal Opera . The opera had its premiere at the Grange Park Opera in the UK to sold-out performances and wide critical acclaim. His recent performances in 2026 include a sold-out concert at the Freight in Berkeley, California. The press calls Khan: “Profound and electrifying…pure exhilaration, taking tradition as a blueprint for ecstasy” ( The New York Times ); “Etherial, compelling, sensual, Nishat Khan master of the sitar” ( Los Angeles Times ); “Freewheeling virtuosity inflected with infinite imaginative variety” (BBC Proms, The Guardian ); and “Ferociously gifted…no conceivable limitations…his sitar roars, cries, and exults” ( Times of India ). Nitin Mitta is regarded as one of

Bongo Sidibe is a Traditional Drummer and Vocalist from Conakry Guinea, in West Africa. Bongo Sidibe uses his Traditional background as an Artist to create a unique style of music (Traditional, Funk, Reggae Mandingue, Ragga Murfing and Dancehall). He uses his style of music to send a message to the world about Peace and Community Building

A live music performance by WoodMill at Brookdale Lodge in a Friday night setting.

Sitar maestro Nishat Khan returns to UC Santa Cruz with tabla maestro Nitin Mitta in an Indian classical music concert. Regarded as one of the most influential musicians of his generation for his unique and inspiring work, Khan’s masterful collaborations truly connect music globally. With the strike of a single, unmistakable note, the sound of Khan’s sitar instantly captivates and transforms one’s mood. Listeners are transported to another realm by a sight and sound unlike any other. As a torchbearer of the most recorded musical family in the world, the Imdad Khani Gharana, seven generations of wisdom reside in his fingertips. While grounded in centuries of tradition, Khan forges his own signature sound with a refreshing twist: familiar yet challenging, unfolding with emotional contrasts and surprises at every turn. Touring and performing throughout the world since age 13, Nishat Khan’s unique cosmopolitan perspective has inspired a great sensitivity and connection to the cultures of music of the world. He gave his first public concert at age 7, and was the youngest performer on an All India Radio national programme at age 15. In more recent years, Khan created history in summer 2025 by composing and creating the first ever traditional (Western) opera from the Indian subcontinent, the Taj Mahal Opera. The opera had its premiere at the Grange Park Opera in the UK to sold-out performances and wide critical acclaim. His recent performances in 2026 include a sold-out concert at the Freight in Berkeley, California. The press calls Kahn: “Profound and electrifying…pure exhilaration, taking tradition as a blueprint for ecstasy” (New York Times); “Etherial, compelling, sensual, Nishat Khan master of the sitar” (Los Angeles Times); “Freewheeling virtuosity inflected with infinite imaginative variety” (BBC Proms, The Guardian); and “Ferociously gifted…no conceivable limitations…his sitar roars, cries, and exults” (Times of India). CHECK EVENTBRITE.COM FOR UPDATED TICKET INFOR

Saturday, 7:00 PM - Performing with "WOODMILL"

7:30pm - 9:30pm · Hard rock and grunge band from Martinez, bringing a heavy mix of familiar covers and original music. Their sound pulls from the raw energy of 90s grunge and hard rock, with loud guitars, driving rhythms, and plenty of attitude. Expect songs you know alongside their own material, all delivered with the same gritty, high energy sound.

Purchase tickets here Show 8pm // 21+ ***This is a standing room general admissions show. There will be a limited number of chairs located in the back of the concert hall. Seating will be first come first served. Bar and food will be open at 5pm.

It's the triumphant return of the outrageously amazing sounds of Coffee Zombie Collective! Dance to your favorite hits that have been completely reimagined and blended together for your enjoyment. Saturday, October 10, 2026 Doors: 8pm // Show: 9pm $15 in advance // $20 day of the show 21+ * No Refunds | All sales are final * Avoid scammers! Only purchase tickets from moesalley.com or ticketweb.com * Tickets requested by email will be delivered 3 days prior to the event * Will Call tickets will be available at the door on the day of the event ==== COFFEE ZOMBIE COLLECTIVE Coffee Zombie Collective formed in 2010 as a loose group of sleep-deprived musicians playing their favorite lesser-heard songs alongside karaoke barn burner hits. The band has continued to evolve, mixing in their own originals alongside twisted acoustic reimaginings of contemporary pop hits such as Lourde's "Royals" and cult classics such as Motörhead's "Ace of Spades." Coffee Zombie Collective takes the songs you love, or love to hate, and weaves them into medlies, or upside-down interpretations that always leaves audiences smiling. The band's high-energy stage performances whip audiences into a sing-along dance frenzy. The repeated on-stage mantra is "If you know the words, sing along. If you don't know the words, sing louder!" If you're at the show, you're part of the collective, and highly encouraged to contribute in the frisky, sweaty, ad-libbed sound explosion that is Coffee Zombie Collective. It's never the same show twice.

SPAM New Media Festival continues with performances by electronic percussionist Sunken Cages, collaborative duo Rohan Chander & Scott Li, and artist / instrument builder Ava Koohbor. About the Artists Sunken Cages is the project of Indian-born drummer/electronic music producer Ravish Momin. He has studied with US Jazz master-drummer Andrew Cyrille and has worked as a sideman with a wide array of musicians including US Jazz legend Kalaparush Maurice McIntyre (AACM/Chicago) and pop-star Shakira. In the past, he led Tarana, a shapeshifting global-Jazz group, on international and domestic stages for 14 years. His current collaborative projects include 'Turning Jewels Into Water' (with Haitian electronic music pioneer Val Jeanty), a duo with dragonchild (Ethio-American saxophonist DA Mekonnen) and a trio with dancer Ishita Mili and video-artist Art Jones. He has recently produced tracks with South African Gqom group Phelimuncasi (Nyege Nyege Records), Saxophonist Maria Valencia (Meridian Brothers), producers Makossiri (Hakuna Kulala, Kenya), Saskia (QTV, Brazil), Kush Arora (Discrepant, US), Baba Sy (Jokkoo Collective, Spain/Senegal) and Rani Jambak (Indonesia, Yes No Wave.) Rohan Chander is a media artist, electronic musician, and performance artist with an interest in recombinatory approaches to sound and aesthetic. Rooted in political and personal inquiry, he often draws from sample-based artforms, performance art, speculative fiction, and historical research. His work has been described as "hypersensory" (Washington Post), "remarkably alive" (The Wire Magazine), and of "transcendent metamorphosis" (I Care If You Listen). Under his solo DIY project BAKUDI SCREAM, I won the Gaudeamus Prize for Music Composition in 2022. Scott Li is a NYC-based violinist, composer, producer, improviser, filmmaker, and electroacoustic sound artist blending the Romantic classical chamber music tradition with deeply emotive, boundary-pushing electronic music. Li‘s music is first and foremo

Join us for a series of daytime talks with SPAM artists Rohan Chander and Ava Koohbor. Program Ava Koohbor - Four Modes of Sonic Behavior: Oscillation / Vibration / Circulation / Pulsation. What can we learn from the body as a system? I explore oscillation, vibration, circulation, and pulsation as four forms of behavior that can become compositional structures. Through simple mechanisms and their interactions, I look at how complexity and unpredictability can emerge from a system. Rohan Chander - untitled talk About the Artists Rohan Chander is a media artist, electronic musician, and performance artist with an interest in recombinatory approaches to sound and aesthetic. Rooted in political and personal inquiry, he often draws from sample-based artforms, performance art, speculative fiction, and historical research. His work has been described as "hypersensory" (Washington Post), "remarkably alive" (The Wire Magazine), and of "transcendent metamorphosis" (I Care If You Listen). Under his solo DIY project BAKUDI SCREAM, I won the Gaudeamus Prize for Music Composition in 2022. Ava Koohbor works between sculpture and instrument, poetry and circuitry, memory and electronics, Tehran and San Francisco. Her practice explores sound as a field of relations, where listening, making, and material continually reorganize one another. Her work takes shape through instruments, performances, installations, exhibitions, and books. Her latest book, Of Flesh and Frequency: A Poetics of Sound Making, was published by Lithic Press in 2026.