From the waves to the redwoods, it's all happening here.

The Dickens Universe is a unique cultural event that brings together scholars, teachers, students, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels, usually (but not always) one by Charles Dickens. In 2026, the Dickens Universe will feature Bleak House by Charles Dickens. Dickens’s ninth novel, published between 1852-1853, shines a light on social injustice and the devastating effects of a corrupt legal system, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb, from mansions to slums, we discover unexpected connections among classes, plots, and characters. Now in its 46th year of operation, the Dickens Universe combines features of a scholarly conference, a festival, a book club, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars, graduate students, undergraduates, retirees, young professionals, high school teachers, and anyone who loves reading and enjoys long Victorian novels. Here are some things that make the Universe such a special experience. The college lifestyle: participants live on campus, eat together in the student dining hall, and have time to meet and come to know each other in different ways. Everyone is reading the same book. We all have this one important thing in common. The activities include formal lectures, small discussion groups, films, daily Victorian teas, performances, and Victorian dancing. The Universe offers a week of total immersion in the world of Victorian fiction with friendly, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone know

What is CreativeMornings? A free, live, monthly breakfast lecture series for creatives, community-builders, entrepreneurs, and more! Each month features a short lecture by a local innovator, framed by opportunities to socialize and spark new connections. CreativeMornings draws attendees and speakers not strictly from “creative” fields; it includes anyone driven by passion and purpose. Live lectures are video-recorded and shared on the CreativeMornings online platform. CreativeMornings Santa Cruz was born out of a love of this town as well as a desire to see our creative community unite and cross-pollinate. From Bonny Doon to Watsonville, our county is full of artists, innovators, and people making inspired choices in the ways they approach their lives and their work. Our goal is to bring them together IRL and…watch the magic happen!

Visit the IAS, UCSC’s premier art galleries, for our spring exhibitions. On view April 10–August 16, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right , the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj , a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words, But Melodies , a mixed-media exhibition emerging at the intersections of Black poetics, performance, and visual art. The IAS Galleries are open Wednesday-Sunday, 12 pm – 5 pm. Admission is free to the public. Libia Posada: Everything is Going Right Libia Posada’s first solo exhibition in the United States features installations, sculptures, and drawings meticulously constructed from surgical instruments, gauze bandages, crutches, used books, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal, social, and political disorders and afflictions that currently trouble the world, from the wars that resonate across the globe to the violences of aging in US prisons. Gina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements The internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation, produced in community from things collected, found, purchased and donated, centers on the Haitian concept of rasanblaj, a form of assembly and collage that transcends the formal use of materials to draw together people, spirits, and ideas. Ronaldo V. Wilson: There Are No Words, But Melodies Collage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video, painting, and installation, layers and folds conceal and reveal, delving into the experience, both bodily and emotive, of living in time

The Dickens Universe is a unique cultural event that brings together scholars, teachers, students, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels, usually (but not always) one by Charles Dickens. In 2026, the Dickens Universe will feature Bleak House by Charles Dickens. Dickens’s ninth novel, published between 1852-1853, shines a light on social injustice and the devastating effects of a corrupt legal system, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb, from mansions to slums, we discover unexpected connections among classes, plots, and characters. Now in its 46th year of operation, the Dickens Universe combines features of a scholarly conference, a festival, a book club, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars, graduate students, undergraduates, retirees, young professionals, high school teachers, and anyone who loves reading and enjoys long Victorian novels. Here are some things that make the Universe such a special experience. The college lifestyle: participants live on campus, eat together in the student dining hall, and have time to meet and come to know each other in different ways. Everyone is reading the same book. We all have this one important thing in common. The activities include formal lectures, small discussion groups, films, daily Victorian teas, performances, and Victorian dancing. The Universe offers a week of total immersion in the world of Victorian fiction with friendly, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone know

Take a free, guided tour of the 30-acre organic UCSC Farm. Visitors can enjoy touring the organically managed greenhouses, hand-worked garden beds, orchards, row crop fields, and children’s garden, while learning about the history of the site and the basic concepts of organic farming and gardening. Perched on a meadow near the campus entrance, the farm also offers spectacular views of the Monterey Bay. Heavy rain cancels. Tours will take place from 10 a.m. to 11:30 a.m. on the following dates (please RSVP for the tour of your choice): Saturday, July 11 Saturday, August 1 Saturday, September 12 Saturday, October 3

First Saturday Tours are a wonderful way to introduce yourself to the Arboretum or to deepen your knowledge of the Arboretum’s plant collections. Each tour is a little different depending on the time of year, the interests of the tour guide, and the people who join in. For example, you might learn about the birds and mammals that make this land their home or about the amazing physical adaptations that plants have evolved to better deal with our extreme weather and climate conditions. Tours are free with paid admission.

Visit the IAS, UCSC’s premier art galleries, for our spring exhibitions. On view April 10–August 16, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right , the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj , a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words, But Melodies , a mixed-media exhibition emerging at the intersections of Black poetics, performance, and visual art. The IAS Galleries are open Wednesday-Sunday, 12 pm – 5 pm. Admission is free to the public. Libia Posada: Everything is Going Right Libia Posada’s first solo exhibition in the United States features installations, sculptures, and drawings meticulously constructed from surgical instruments, gauze bandages, crutches, used books, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal, social, and political disorders and afflictions that currently trouble the world, from the wars that resonate across the globe to the violences of aging in US prisons. Gina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements The internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation, produced in community from things collected, found, purchased and donated, centers on the Haitian concept of rasanblaj, a form of assembly and collage that transcends the formal use of materials to draw together people, spirits, and ideas. Ronaldo V. Wilson: There Are No Words, But Melodies Collage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video, painting, and installation, layers and folds conceal and reveal, delving into the experience, both bodily and emotive, of living in time

An experiment in chemistry and connection beyond small talk. More than speed dating. Meet open-minded singles in Santa Cruz.

Home gardens, small farms, and wildland-agricultural interfaces can often be areas of increased water, food, and habitat resources for wildlife. Many people are interested in seeing wildlife on their properties, from the common visitors to the elusive wanderers. Come learn about how to monitor for wildlife in your own backyard, as well as the ecology, habitat requirements, and challenges species face across dynamic landscapes. Answer the question: What does biodiversity mean to you? REGISTER Free for UCSC students; please email [email protected] to register as a student.

Wing Chun martial arts classes with instructor Marcus at The 418 Project in Santa Cruz, meeting multiple times per week.

Visit the IAS, UCSC’s premier art galleries, for our spring exhibitions. On view April 10–August 16, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right , the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj , a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words, But Melodies , a mixed-media exhibition emerging at the intersections of Black poetics, performance, and visual art. The IAS Galleries are open Wednesday-Sunday, 12 pm – 5 pm. Admission is free to the public. Libia Posada: Everything is Going Right Libia Posada’s first solo exhibition in the United States features installations, sculptures, and drawings meticulously constructed from surgical instruments, gauze bandages, crutches, used books, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal, social, and political disorders and afflictions that currently trouble the world, from the wars that resonate across the globe to the violences of aging in US prisons. Gina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements The internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation, produced in community from things collected, found, purchased and donated, centers on the Haitian concept of rasanblaj, a form of assembly and collage that transcends the formal use of materials to draw together people, spirits, and ideas. Ronaldo V. Wilson: There Are No Words, But Melodies Collage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video, painting, and installation, layers and folds conceal and reveal, delving into the experience, both bodily and emotive, of living in time

Join us Wednesday, May 21st from 12:00 PM- 1:00 PM at California Coffee for an informative and uplifting workshop you won't want tfor suo miss! Our featured guest speaker, Manas S. Kshirsagar, AD, MS a NAMA Board Certified Ayurvedic Doctor with years of experience in holistic wellness and healing, will be presenting "Tools for Stress and Anxiety". With today's fast-paced world and the stress levels many of us are unduring, this workshop will offer valuable insight, practical tools and wellness strategies to help bring more balance, peace and calm into our daily lives. Lunch Special Available: Half Sandwich + Chips just $9.99 California Coffee, 9105 Soquel Dr., Aptos, CA 95003 cacoffeeaptos.com Thank you from myself Sylvia Reyes, and my amazing team for supporting our small business and community events!

Many scientific applications produce repeated point pattern realizations across subjects, regions, or time. While such point patterns exhibit individual variation, we assume they arise from related point processes that share a common distributional structure. This dissertation develops a Bayesian nonparametric modeling framework built around an interpretable baseline. We work with Poisson processes, such that the point process stochastic mechanism is characterized by the total intensity and a density with compact support. Flexible, parsimonious weighted combinations of beta densities represent both the baseline and the replicate-specific densities. The weights corresponding to each replicate encode the features that characterize its density and are pooled hierarchically across replicates to estimate the shared baseline. Throughout, we illustrate the framework using bike-share demand at a Chicago Divvy station, where weekly demand shares a common daily pattern while its features evolve across weeks. We lay the foundation with a conditionally independent model, relating the replicates through a Dirichlet process prior centered on the shared baseline. The model admits a Pólya urn representation that yields fully conjugate posterior updates and partially parallel computation across replicates. Inference proceeds at both the shared and replicate-specific levels, and predictive inference on the density of demand for a new week follows readily through the baseline. Moving to a dynamic extension, we use the representation of the replicate-specific discrete random distributions to express structured dependence separately through the atoms and the weights. Stochastic processes on these components relate the locations of density features and their relative importance. The weights follow a geometric construction that keeps the model parsimonious. For the atoms, we develop a novel stochastic process with the baseline as its marginal distribution, so its interpretation is unchang