From the waves to the redwoods, it's all happening here.

The Dickens Project at UC Santa Cruz invites the community to the 2026 Dickens Universe, held July 26–August 1, a weeklong scholarly gathering devoted to Charles Dickens’s Bleak House. The Universe brings together scholars, students, teachers, and lifelong learners for lectures, discussion groups, film screenings, Victorian tea, festive dance, and a variety of other immersive experiences—all set among the redwoods on the UCSC campus. This retreat celebrates the power of literature to build community, spark conversation, and connect readers across generations. For more information please visit: 2026 Dickens Universe

The Dickens Universe is a unique cultural event that brings together scholars, teachers, students, and members of the general public for a week of stimulating discussion and festive social activity on the beautiful Santa Cruz campus of the University of California—all focused on one or two Victorian novels, usually (but not always) one by Charles Dickens. In 2026, the Dickens Universe will feature Bleak House by Charles Dickens. Dickens’s ninth novel, published between 1852-1853, shines a light on social injustice and the devastating effects of a corrupt legal system, following the entangled lives of those caught in the never-ending Jarndyce and Jarndyce case. Told in alternating narrative voices, this rich literary experiment plays with a variety of genres from detective fiction and social realism to melodrama and satire. As characters move from city to suburb, from mansions to slums, we discover unexpected connections among classes, plots, and characters. Now in its 46th year of operation, the Dickens Universe combines features of a scholarly conference, a festival, a book club, and a summer camp. Participants include people of all ages and walks of life—distinguished scholars, graduate students, undergraduates, retirees, young professionals, high school teachers, and anyone who loves reading and enjoys long Victorian novels. Here are some things that make the Universe such a special experience. The college lifestyle: participants live on campus, eat together in the student dining hall, and have time to meet and come to know each other in different ways. Everyone is reading the same book. We all have this one important thing in common. The activities include formal lectures, small discussion groups, films, daily Victorian teas, performances, and Victorian dancing. The Universe offers a week of total immersion in the world of Victorian fiction with friendly, like-minded colleagues in a beautiful setting. Whether we’re returning to a Dickens novel that everyone know

“We the Dreamers is both an invitation and a responsibility”; says Music Director Cristian Măcelaru. “At this historic moment, we are asking how music can help us imagine a more expansive ‘we’—one that listens deeply, embraces complexity, and dares to hope. These works remind us that dreaming is essential to shaping a more just and connected future.” The Cabrillo Festival of Contemporary Music presents its 64th season, We the Dreamers, running July 26 through August 9, 2026 . Framed by the 250th anniversary of the signing of the Declaration of Independence, this transformative season asks one of the most resonant civic questions of our time: Who is the “we” of America—and who are “we” still becoming? The answers unfold across four world premiere Festival Commissions, eight West Coast premieres, and two U.S. premieres , brought to life by a dynamic global roster of over 20 composers and an extraordinary array of guest artists. Highlights include the second-ever performance and West Coast premiere of Philip Glass’s Symphony No. 15 Lincoln , which draws on Lincoln’s urgent reverence for the Constitution and his prescient warnings against internal division, alongside an appearance by Former U.S. Poet Laureate Rita Dove and new works by Clarice Assad, Vivian Fung, Sarah Hennies , and Pedro Emanuel Pereira —together offering a compelling portrait of our contemporary moment through the lens of history, civic reckoning, and global perspective. For more information: Cabrillo Festival 2026

Wing Chun martial arts classes with instructor Marcus at The 418 Project in Santa Cruz, meeting multiple times per week.

Visit the IAS, UCSC’s premier art galleries, for our spring exhibitions. On view April 10–August 16, 2026 are three diverse and interdisciplinary shows: Libia Posada: Everything is Going Right , the first US solo exhibition by the Colombia-based artist and medical doctor; Gina Athena Ulysse: A Redwoods Rasanblaj , a site-specific and immersive exploration of the Haitian kreyol conception of rasanblaj; and Ronaldo V. Wilson: There Are No Words, But Melodies , a mixed-media exhibition emerging at the intersections of Black poetics, performance, and visual art. The IAS Galleries are open Wednesday-Sunday, 12 pm – 5 pm. Admission is free to the public. Libia Posada: Everything is Going Right Libia Posada’s first solo exhibition in the United States features installations, sculptures, and drawings meticulously constructed from surgical instruments, gauze bandages, crutches, used books, and domestic picture frames. The new and existing works in the exhibition powerfully stitch together the personal, social, and political disorders and afflictions that currently trouble the world, from the wars that resonate across the globe to the violences of aging in US prisons. Gina Athena Ulysse: A Redwoods Rasanblaj: Origins & Disentanglements The internationally-lauded work of humanities professor Gina Athena Ulysse is on view as a premier Faculty Spotlight Exhibition. The site-specific installation, produced in community from things collected, found, purchased and donated, centers on the Haitian concept of rasanblaj, a form of assembly and collage that transcends the formal use of materials to draw together people, spirits, and ideas. Ronaldo V. Wilson: There Are No Words, But Melodies Collage is both a material practice and a structural interrogation in the Faculty Spotlight Exhibition artworks by literature professor Ronaldo V. Wilson. In video, painting, and installation, layers and folds conceal and reveal, delving into the experience, both bodily and emotive, of living in time