Join Thrill the World Santa Cruz for free community dance classes and spooky Halloween performances! Learn Michael Jackson’s iconic “Thriller” choreography—no dance experience required—and join us for the official worldwide Thrill the World dance on October 24 at 3 PM in Downtown Santa Cruz.
From the waves to the redwoods, it's all happening here.
Live music, festivals, art walks, surf contests, trail days and everything in between.
In-person only, on purpose. Everything here is something you can actually show up to. No screens, no streams.
★ Featured this season
Treehouse Dispensary First Friday
First Friday: Costume Party Edition 👻 Friday, October 2 · 7–10 PM · 21+ Treehouse is hosting our first-ever cannabis consumption event, and we're kicking it off with a costume party. Come as you are, or come as someone (or something) else entirely. Spooky season starts here. Live music by Junebug (8–9:30 PM) Folk-fusion fingerstyle guitar from a one-woman band. Junebug also tap dances and plays harmonica, autoharp, kazoo, trumpet, ukulele, and banjo, so expect the unexpected. Artists & Makers Market (7–10 PM) Browse and shop work from local artists and makers: Art by Dejon, Cyanide Cyn, Mori Mysterium, Mountain Medusa, Stitch and Story, Penning Beads, WilderWilds, Corals Tiny World, Hermelinda, and Potato Studios. Stash Jar Making (7–10 PM) Puff, puff, craft. Stop by our free DIY station and decorate a one-of-a-kind stash jar to keep your favorite flower fresh and stylish. All supplies provided. Just bring your creativity. Cannabis Elixirs 🍹 Sip, sip, hooray. Enjoy refreshing cannabis elixirs while you get crafty and catch the show. Free to attend. Costumes strongly encouraged. Must be 21+ with valid ID. Treehouse Dispensary · 3651 Soquel Drive, Santa Cruz We're proud to offer everyday savings for our community: New Members: 10% off your first order Wisdom Discount (65+): 5% off Medical Patients: 10% off Students & Teachers: 20% off with valid ID Veterans: 20% off *Please note that discounts do not stack with other deals. Ask staff for exclusions.
Coffee with the Curators
Grab a cup of coffee and hang out with a MAH curator! Coffee with the Curators is a morning at the museum where you can chat, ask questions, and hear behind-the-scenes stories about the exhibitions and collections. Coffee and good conversation are complimentary with museum admission.
Open Mic w/ SteveV, every Monday
It's Monday Open Mic at the Ugly Mug! Sign ups at 5p Beer, Espresso Drinks and Desserts available
Coming up
Open Mic · Every Monday 5-8p
you Are A Star! Come share what you love · what you are working on Every Monday 5pm - 8pm · Lottery signups begin @5:15 One 5 minute song or two 3 minute songs We welcome: Poetry · Spoken Word · Music · Originals & Covers Hosted by SteveV Beer, Coffee, Tea and Cafe Snacks are always available. Non-performers are always welcomed & Appreciated We Cannot Wait to see you!
Hosted Board Game Night — 2026-09-28
6 - 8pm · Hosted Board Game Night — open & hosted games, library of 30+ games, raffle, merch, and a Learn to Play demo at 6:30pm. Taught on the spot.
☀️ Happening today
Monday, September 2847 events on today. No plans required, just go.
What's happening
Filter by category, date, or area. Everything listed is in person, county-wide.
29 upcoming events · Art & Culture · from 2026-10-03 · to 2026-10-04
Call to register or if you have questions: 457-2273 Location will vary so call for details The facilitator will bring photos. You are responsible for purchasing materials (see below). Discover your Wisdom with SoulCollage® Let's explore our inner selves. Using images, imagination and intuition, you will begin to create your own personal deck of collaged cards. Part art project, part spiritual practice, SoulCollage® allows you to deepen your understanding of yourself and tap into your inner wisdom that can guide you on important life decisions. In a fun, creative, and relaxed environment, you will create cards that will reveal parts of your personality, your archetypes, and other guides, allies, and challengers. We will talk about the ways you can use your personal deck of collaged cards to tap into your inner wisdom. No art experience necessary. Anyone can create SoulCollage® cards! We use scissors, glue, and images cut from magazines to create our cards. You’ll take home several finished cards—and no doubt a love for this creative process! Please bring with you : * Scissors * Glue stick (best kind is Pioneer glue stick) * 8 x 5 mat board * Pen & Notebook
Calling all Daisies, Brownies, Juniors, Cadettes, and Seniors—this exciting overnight adventure is just for you! Includes: • Camping Under the Stars on the Boardwalk • Exclusive Free Play in the Arcade • Dinner & Breakfast • Outdoor Movie • Exclusive time on the Looff Carousel & Pirate Ship Friday night • Sand Sculpture Competition • Event Patch • Ride Wristband for Saturday • Discounted Parking Package Price: $99.95 per person Deadline September 27, 2026, or until full. Register today! bit.ly/Fall-Girl-Scout-Overnight
We will be hosting the Open Studios Preview Exhibition, showcasing the work of all the 330+ Santa Cruz County Open Studios Artists who are participating in the program
Victor “Marka27” Quiñonez: Ni de Aquí, Ni de Allá
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
Carlos Motta’s When Time Stands Still features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool, a siren, a witness, a victim) reappear in the current moment as containers of time, bringing the past of imperialism, colonization, and displacement into a present marked by the rise of anti-immigration politics, climate injustice, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves, if gruelingly, in an endurance-based video performance, No One, 2025. For forty-six minutes, the artist undertakes to keep his eyes open, witnessing, withstanding, confronting, and resisting the bombardment of images, both historical and otherwise, that normalize harm. In another video work, Gravity, 2024, performers enact rescue carries, supporting each other until they can’t bear the weight. Together, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. When Time Stands Still is organized as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to create a future free of prisons. About the Artist Carlos Motta (b. 1978, Colombia) is a multidisciplinary artist whose practice documents the social conditions and political struggles of sexual, gender, and ethnic communities, challenging normative discourses through acts of self-representation. His work has been the focus of several survey exhibitions.
Carlos Motta: When Time Stands Still
Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS , features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool, a siren, a witness, a victim) reappear in the current moment as containers of time, bringing the past of imperialism, colonization, and displacement into a present marked by the rise of anti-immigration politics, climate injustice, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves, if gruelingly, in an endurance-based video performance, No One , 2025. For forty-six minutes, the artist undertakes to keep his eyes open, witnessing, withstanding, confronting, and resisting the bombardment of images, both historical and otherwise, that normalize harm. In another video work, Gravity , 2024, performers enact rescue carries, supporting each other until they can’t bear the weight. Together, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. When Time Stands Still is organized as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to create a future free of prisons. Carlos Motta (b. 1978, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts, Columbus, OH ; Röda Sten Konsthall, Gothenburg, Sweden; Galeria Vermelho, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern, London; and
Victor ‘Marka27’ Quiñonez: Ni de Aquí, Ni de Allá
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de Aquí, Ni de Allá ( Not From Here, Not From There ) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As Quiñonez explains, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States: “Most people see the cooler as a tool for leisure…for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living,” the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
UCSC: Victor “Marka27” Exhibition
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor “Marka27” Quiñonez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Saturday, October 03 2026 12:00pm - 3:00pm Manifest your visions, desires, and dreams through the art of Soul Collage!
A Road of Her Own: Author Visit with Kimberly Gomes
Local author Kimberly Gomes will share her new book, A Road of Her Own. In this work of Autofiction, meet Mira. She writes about the dead. Now she’s ready to finally live. At twenty-nine, Mira is stuck writing obituaries, caring for a once-wild, now-blind mother, and living in a fish-scented apartment that smells like failure—until a last chance artist fellowship offers a shot at something more. With a camera in her hand and nothing left to lose, she hits the road alone, crossing America’s national parks, skydiving, unraveling, and meeting women who remind her what it means to want, to risk, and to live. Copies of the book will be available for purchase and signing. Light refreshments will be served. Registration is recommended, and walk-ins are welcome. Register at https://santacruzpl.libnet.info/event/16461290. KIMBERLY GOMES is a writer, songslinger, and creativity coach. She’s the author of the poetry collection Love Notes to the Body (Dancing Girl Press, 2019). Her debut novel, A Road of Her Own, was a semi-finalist for the 2022 Black Lawrence Press Prose Book Award. Her work has been named a top personal essay of 2021 by Entropy Magazine, and has been featured in The San Francisco Chronicle and Sunset Magazine. When she’s not creating, you can find Kimberly hiking mountains, plotting her next passport stamp, and swing dancing with people she loves. ___ The views and opinions expressed by presenters in Santa Cruz Public Libraries programs are their own and do not constitute an endorsement by Santa Cruz Public Libraries or its member jurisdictions. Los puntos de vista y opiniones expresadas por los presentadores de programas en las Bibliotecas Públicas de Santa Cruz son propias y no constituyen en un respaldo o reflejo de la postura de las Bibliotecas Públicas de Santa Cruz ni de sus jurisdicciones miembro.
REFUGE: Voices of Courage and Resilience Book Launch Celebration
Come celebrate the launch of REFUGE: Voices of Courage & Resilience for Our Fractured World at the Resource Center for Nonviolence in Santa Cruz. This anthology brings together more than 100 writers and artists responding to the emotional, political, and spiritual challenges of our time—including 22 writer and artists from Santa Cruz County. We’ll spend the afternoon bringing the pages of REFUGE to life, sharing a selection of writing and art that reflects the heart and breadth of the collection. REFUGE combines essays, poetry, photography, painting, drawing, fiber art, sculpture, and other visual work. Its contributors explore grief and uncertainty, resistance and creativity, beauty and wonder, and the ways people continue to find meaning and hope in these difficult times.
Saturday, October 03 2026 2:00pm - 4:00pm Come enjoy work from the Watercolor Class at the Scotts Valley Senior Center and meet the artists.
Ode to The Dying Senses: An Immersive Dance-Theater Experience
Ode to the Dying Senses is an immersive dance-theater experience combining live singers and SCDT's Project Company dancers. The evening begins as you enter and explore a space immersed in total darkness. What follows invites you to reconnect with your senses in a show like nothing you've ever seen. With only 15 tickets per show, this is an exclusive event you won't want to miss.
The Last Five Years, presented by Santa Cruz Shakespeare
Relationships are beautiful and complex things. They all have a beginning and an ending. Jason Roberts explores the complexities of relationships in his emotional musical, The Last Five Years. Cathy and Jamie are romantically involved for five years, and the audience watches it unfold from each perspective. Cathy’s view of the relationship will begin at the end and work its way back to the beginning, while Jamie’s perspective starts at the beginning of the relationship and moves to the end. The story features beautiful and clever music that explores the sacrifices and costs of relationships. Audiences will contemplate how relationships affect how we define ourselves. Goes until Oct 3. -Isabella Marie Sangaline
The SLV Theatre Department is proud to present The Outsiders, a dramatic coming-of-age novel originally written by S.E. Hilton and adapted to stageplay by Christopher Sergel. This production is directed by high school seniors Ryan Jones and Benjamin Rotte. Performance dates are October 2nd-10th.
With stories and fractured essays writer/actor Christopher Michael Palermo presents his unique perspective on the world as it is, was, and has always been.
Fridays & Saturdays 8pm-10pm through October. Opening weekend July 10-11! Experience the magic once again as this beloved art and light installation returns to the Santa Cruz Mountains for its second year. Lighted lanterns hang high overhead surrounded by thousand year old redwoods that are uplit to create a unique and awe-inspiring retreat back to nature.
This nighttime experience will bring you a magical and immersive perspective on the ancient forest at Roaring Camp. During the 0.8-mile loop walk, you will view 26 unique, lighted lanterns, hung approximately 50 feet above the ground. The lanterns were crafted by local artists including Anna Bobisuthi, Roaring Camp’s resident blacksmith, and Chris Butler, who also created the lighting design for Sequoias at Night. Tickets are available at the link in the orange button above. Kids under two enter for free. Roaring Camp’s food services and gift shop will be open.
For information and registration click here: cherryvaleartfarm.com 🍒 See you this Fall! $75 - Oct 4th, 2026, 11:00 am -1:00 pm Deadline to Register is Sept. 27th, 2026 Dive into Autumn 2026 with our Pumpkin Succulent Workshop, and learn to create a unique arrangement of succulents and seasonal foliage atop a festive pumpkin base. During this workshop, we will visit our neighbors at Soquel U-Pick to select pumpkins, enjoy a selection of coffee, teas, and seasonal baked goods, and craft a lively decoration to spruce up your home all season long. Adults & Youth, minimum age 10, ages 10-13 must be accompanied by an adult. All materials are provided. 4900 Cherryvale Ave, Soquel CA 95073
Carlos Motta: When Time Stands Still
Carlos Motta’s When Time Stands Still, the artist’s second solo show with the IAS , features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool, a siren, a witness, a victim) reappear in the current moment as containers of time, bringing the past of imperialism, colonization, and displacement into a present marked by the rise of anti-immigration politics, climate injustice, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves, if gruelingly, in an endurance-based video performance, No One , 2025. For forty-six minutes, the artist undertakes to keep his eyes open, witnessing, withstanding, confronting, and resisting the bombardment of images, both historical and otherwise, that normalize harm. In another video work, Gravity , 2024, performers enact rescue carries, supporting each other until they can’t bear the weight. Together, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. When Time Stands Still is organized as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to create a future free of prisons. Carlos Motta (b. 1978, Colombia) is a multidisciplinary artist whose work has been shown widely nationally and internationally. Solo exhibitions venues include the Museu d’Art Contemporani de Barcelona; Nikolaj Kunsthal, Copenhagen; Museo de Arte Moderno de Bogotá; Wexner Center for the Arts, Columbus, OH ; Röda Sten Konsthall, Gothenburg, Sweden; Galeria Vermelho, São Paulo; Pérez Art Museum Miami (PAMM); Tate Modern, London; and
Carlos Motta’s When Time Stands Still features new and recent installations, videos, and sculptures highlighting the artist’s preoccupation with the historical and aesthetic productions of difference and marginalization that shape the present. The selection of artworks in the exhibition explore the unsettling experience of living in a time that seems violently stuck on repeat. Archetypal figures from art history (a fool, a siren, a witness, a victim) reappear in the current moment as containers of time, bringing the past of imperialism, colonization, and displacement into a present marked by the rise of anti-immigration politics, climate injustice, and other forms of disposability. Some works challenge this violent repetition of time. The clock moves, if gruelingly, in an endurance-based video performance, No One, 2025. For forty-six minutes, the artist undertakes to keep his eyes open, witnessing, withstanding, confronting, and resisting the bombardment of images, both historical and otherwise, that normalize harm. In another video work, Gravity, 2024, performers enact rescue carries, supporting each other until they can’t bear the weight. Together, the artworks act as a proposal about how to rethink time—how to slow time—with a poetic and aesthetic cadence that might counter the numbing reverberations of living in the present. When Time Stands Still is organized as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to create a future free of prisons. About the Artist Carlos Motta (b. 1978, Colombia) is a multidisciplinary artist whose practice documents the social conditions and political struggles of sexual, gender, and ethnic communities, challenging normative discourses through acts of self-representation. His work has been the focus of several survey exhibitions.
Victor ‘Marka27’ Quiñonez: Ni de Aquí, Ni de Allá
Organized in partnership with the Center for Art and Advocacy, located in Brooklyn, New York, Ni de Aquí, Ni de Allá ( Not From Here, Not From There ) by multidisciplinary artist Victor ‘Marka27’ Quiñonez features a wide range of artworks that issue a bold declaration of dual belonging, including altars, an elaborately immersive botanica, paintings referencing visual symbolism drawn from textiles, graffiti and community traditions, and, in a series called I.C.E. Scream , large, brightly colored resin sculptures in the shape of melting Mexican paletas (popsicles). As the exhibition title suggests (a phrase widely used in bilingual and bicultural communities), these artworks reflect the artist’s interest in the experience of living between worlds even as violent notions of nationalism and identity pervade. Accompanying the exhibition, Elevar la Cultura , an immersive sculptural installation featuring a twenty-two-foot-tall pyramid built from ice coolers adorned with ancestral textiles, sacred symbols, and mural work will be on view at Santa Cruz Barrios Unidos (1817 Soquel) November 7, 2026- March 7, 2027. As Quiñonez explains, this sculpture epitomizes the contradictions of living—and laboring—as an immigrant in the United States: “Most people see the cooler as a tool for leisure…for barbecues, tailgating, and celebrations. But for immigrant communities, the cooler is a tool and symbol for opportunity and independence. In every major city, you see families and vendors selling fruit, food, and water out of these coolers on the streets and in subway stations. They’re a necessity for survival and a way to start an honest living,” the artist shares. The Institute of Arts and Sciences will be the second venue to successfully present Ni de Aquí, Ni de Allá to the public. First organized by Boston University Art Galleries and curated by Kate Fowle in September of 2025, the exhibition debuted to critical acclaim before gaining national attention after its abrupt removal from
Victor “Marka27” Quiñonez: Ni de Aquí, Ni de Allá
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons.
UCSC: Victor “Marka27” Exhibition
“Ni de aquí, ni de allá” (“neither from here, nor there”), is a phrase commonly used by bilingual, bicultural communities. In the exhibition the phrase becomes a bold declaration of dual belonging against a violent notion of nationalism and identity. Through paintings, immersive installations, sculptural works, and a curated soundscape, Marka27 invites gallery goers into a vibrant, layered world where street culture meets Indigenous tradition, and personal memory collides with collective truth and activism. Curated by internationally recognized curator Kate Fowle, this exhibition is organized in partnership with The Center for Art & Advocacy and as part of Visualizing Abolition, an arts-based initiative that reaches across prison borders to contribute to the unfolding collective story and alternative imagining underway to create a future free of prisons. ABOUT THE ARTIST: Victor “Marka27” Quiñonez is a renowned visual artist working at the intersections of contemporary art, graffiti, vinyl toys, fashion and design, and art activism.
Come join the magical world of D&D storytelling, where you can be a bard, a wizard, or a barbarian for a few hours and let your creativity run free. Solve weird and wonderful problems with spells, cunning, or daggers and make some new friends in the process. Whether you're a complete beginner or a seasoned player you will be welcomed every 1st Sunday for an afternoon of collaborative storytelling at the Downtown Branch. Friendly game masters will be ready with dice, characters, and the start of a story; all we need is your creativity and enthusiasm. No prior experience is necessary. This program is for adults 18+. This program also happens on 3rd Saturdays at the Capitola Branch from 12-5. What is Dungeons and Dragons? D&D is one of many tabletop roleplaying games, in which players create and control fictional characters within a shared imaginary world. A Game Master guides the story and sets the scene, while the players make decisions for their characters, rolling dice to determine outcomes. TTRPGs encourage creativity, teamwork, and storytelling as players collaborate to overcome challenges and complete quests. Modern D&D has veered away from the combat-heavy game it used to be. While it's still possible to spend hours attacking monsters and finding loot, many groups now tell stories of mystery, intrigue, horror, or whimsy. Who are the game masters? This event is organized by Jeltje van Baren ( [email protected] ), who learned to play a few years ago and has been creating games for new players ever since. She will be assisted by a rotating group of diverse GMs from the local TTRPG community, all of whom are used to patiently explaining the rules and keeping the game fun for everyone.
The SLV Theatre Department is proud to present The Outsiders, a dramatic coming-of-age novel originally written by S.E. Hilton and adapted to stageplay by Christopher Sergel. This production is directed by high school seniors Ryan Jones and Benjamin Rotte. Performance dates are October 2nd-10th.
Salsa By The Sea is a free, weekly outdoor salsa dancing event held near the wharf on Beach Street, at the Ideal Bar patio. The event runs all year long (except when it rains). Some weekends are Bachata by the Sea, with more bachata music played than salsa.
Ode to The Dying Senses: An Immersive Dance-Theater Experience
Ode to the Dying Senses is an immersive dance-theater experience combining live singers and SCDT's Project Company dancers. The evening begins as you enter and explore a space immersed in total darkness. What follows invites you to reconnect with your senses in a show like nothing you've ever seen. With only 15 tickets per show, this is an exclusive event you won't want to miss.
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